1 00:00:03,503 --> 00:00:05,405 [ Door Opens ] 2 00:00:07,440 --> 00:00:09,442 [ Door Closes ] 3 00:01:51,177 --> 00:01:53,379 BEHOLD THE SCROLLS. 4 00:02:04,524 --> 00:02:06,526 THEY'RE NOT HERE. 5 00:03:04,617 --> 00:03:06,619 [ Miss Parker ] TALK TO ME, DADDY. 6 00:03:06,619 --> 00:03:09,522 [ Sighs ] THIS IS NOT THE WAY IT'S SUPPOSED TO BE. 7 00:03:09,522 --> 00:03:12,892 CATATONIA IS A SCHIZOPHRENIC DISORDER, 8 00:03:12,892 --> 00:03:15,395 MARKED BY STUPOR AND MUTISM-- 9 00:03:15,895 --> 00:03:19,399 NO DOUBT BROUGHT ON BY THE TRAUMA OF THE GUNSHOT HEAD WOUND HE SUFFERED. 10 00:03:19,399 --> 00:03:22,402 - CAN'T YOU WAKE HIM UP? -OH, HE'S AWAKE. 11 00:03:22,402 --> 00:03:24,837 HE'S JUST... TRAPPED IN THERE. 12 00:03:24,837 --> 00:03:27,207 I'D LIKE TO BE ALONE WITH MY FATHER. 13 00:03:32,278 --> 00:03:36,049 IF, IN FACT, YOU ARE MY REAL FATHER. 14 00:03:37,850 --> 00:03:39,953 DADDY? 15 00:03:39,953 --> 00:03:42,188 ARE YOU IN THERE, DADDY? 16 00:03:46,526 --> 00:03:50,730 LOOK AT THIS. IT WAS SENT TO ME ANONYMOUSLY. 17 00:03:50,730 --> 00:03:55,435 DO YOU HAVE ANY IDEA WHY MY MOTHER AND JAROD'S MOTHER ARE TOGETHER? 18 00:03:55,435 --> 00:03:58,238 I DIDN'T EVEN KNOW THEY KNEW EACH OTHER. 19 00:04:05,111 --> 00:04:07,981 IS THIS WHAT YOU HAD SO MUCH TO TELL ME ABOUT? 20 00:04:07,981 --> 00:04:11,718 HEY, SIS. WE GOTTA GET OUT OF HERE. 21 00:04:13,353 --> 00:04:15,822 - WHY? - THEY SAY SO. 22 00:04:17,690 --> 00:04:21,894 WHAT ARE ADAMA AND HIS TRIUMVIRATE GOONS DOING HERE? 23 00:04:21,894 --> 00:04:26,065 WELL, NOW THAT DAD'S AWAKE AND, UH, CONSCIOUS, THEY ARE TAKING OVER HIS PROTECTION. 24 00:04:26,065 --> 00:04:27,867 THEY WANT HIM ISOLATED. 25 00:04:27,867 --> 00:04:31,137 WHY? THEY AFRAID OF WHAT HE MIGHT SAY OR WHO HE MIGHT DROOL ON? 26 00:04:36,209 --> 00:04:40,046 I DON'T KNOW. BUT I HAVE A FEELING IT HAS SOMETHING TO DO WITH A VAULT ON SL 15... 27 00:04:40,046 --> 00:04:42,882 THEY BLEW TO PIECES LAST NIGHT. LOOKING FOR WHAT? 28 00:04:42,882 --> 00:04:46,853 HELL IF I KNOW. WHAT DO YOU BET RAINES HAS SOMETHING TO DO WITH THIS? 29 00:04:46,853 --> 00:04:50,490 DOUBT IT. HE HASN'T EVEN RESURFACED FROM HIS LATEST DISAPPEARING ACT. 30 00:04:50,490 --> 00:04:53,226 TRUTH IS, DON'T KNOW, DON'T CARE. 31 00:04:53,226 --> 00:04:57,697 WHEN THESE CRAZY ZULUS GET THIS PISSED OFF, ALL I DO IS FOLLOW ORDERS. 32 00:04:58,698 --> 00:05:00,700 AND NOW THAT DAD'S BRAINS ARE AS SCRAMBLED... 33 00:05:01,200 --> 00:05:03,202 AS YESTERDAY'S EGGS, 34 00:05:03,202 --> 00:05:06,339 THEY'RE GONNA NEED SOMEBODY ELSE TO PUT IN CHARGE AROUND HERE. 35 00:05:06,339 --> 00:05:08,775 CONSIDER ME AN APPLICANT. [ Curtain Slides Open ] 36 00:05:08,775 --> 00:05:11,844 IF IT ISN'T ANOTHER PARKER. 37 00:05:11,844 --> 00:05:14,580 SURPRISED TO SEE YOU HERE. 38 00:05:14,580 --> 00:05:18,451 REALLY? CONSIDERING MY FAMILY HAS BEEN RUNNING THIS PLACE SINCE-- 39 00:05:18,451 --> 00:05:23,156 THE TRIUMVIRATE RUNS THE CENTRE. YOU LEAVE US NOW. 40 00:05:24,424 --> 00:05:26,225 [ Sighs ] 41 00:05:27,827 --> 00:05:32,598 YOU HARM ONE HAIR ON MY FATHER'S HEAD, ADAMA, AND SO HELP ME-- 42 00:05:32,598 --> 00:05:35,735 I NEVER LIKED YOU EITHER. 43 00:05:36,536 --> 00:05:39,339 - MISS PARKER. - NOT NOW, BROOTS. 44 00:05:39,339 --> 00:05:42,942 NO, NO. [ Clears Throat ] IT HAS TO BE NOW. 45 00:05:48,915 --> 00:05:50,416 I-- 46 00:05:50,917 --> 00:05:52,919 I FOUND JAROD. 47 00:06:05,031 --> 00:06:06,799 [ Phone Rings ] 48 00:06:07,300 --> 00:06:09,535 IT'S AN ANCIENT SYMBOL OF SOME SORT. 49 00:06:11,537 --> 00:06:13,539 YES. 50 00:06:13,539 --> 00:06:17,543 EIGHT SKELETAL FIGURES ON THE CIRCUMFERENCE OF THE SYMBOL. 51 00:06:18,544 --> 00:06:21,481 YOU'VE SEEN IT. 52 00:06:21,481 --> 00:06:23,483 DO YOU HAVE AN ADDRESS? 53 00:06:23,483 --> 00:06:26,953 I HAVE BEEN SEARCHING FOR THIS FOR WEEKS. I'D BE HAPPY TO HOLD. 54 00:06:26,953 --> 00:06:28,888 HMM! 55 00:06:30,690 --> 00:06:32,291 [ Tires Screech ] 56 00:06:38,931 --> 00:06:41,434 OH, NO. NO, NO. 57 00:06:41,434 --> 00:06:43,836 COME ON. COME ON, COME ON, COME ON. 58 00:06:49,342 --> 00:06:50,843 JAROD DODSON. SECOND FLOOR. 59 00:06:51,344 --> 00:06:55,348 - LET'S MOVE. - YES, I HAVE A PEN. 60 00:06:55,348 --> 00:06:58,651 IT'S ON THE WALL OUTSIDE THE ALLEY SPORTS BAR. 61 00:07:00,920 --> 00:07:03,356 THANK YOU VERY MUCH. 62 00:07:19,605 --> 00:07:21,841 FIND HIM. 63 00:07:30,783 --> 00:07:34,854 [ Phone Ringing ] 64 00:07:35,354 --> 00:07:37,857 WHAT? YOU'VE BEEN CHASING ME FOR FIVE YEARS. 65 00:07:37,857 --> 00:07:40,092 WHY DON'T YOU JUST LEAVE ME ALONE? 66 00:07:40,092 --> 00:07:45,231 YOU KNOW THAT'S NOT THE WAY IT IS. MY JOB IS TO CATCH AND RETURN YOU TO THE CENTRE. 67 00:07:45,231 --> 00:07:47,433 YOU RUN, I CHASE, JUST LIKE ALWAYS. 68 00:07:47,433 --> 00:07:50,203 BESIDES, I NEED ANSWERS. ABOUT? 69 00:07:50,203 --> 00:07:53,639 - ABOUT WHO MY REAL FATHER IS. ABOUT WHO I REALLY AM. - WELCOME TO THE CLUB! 70 00:07:54,140 --> 00:07:57,143 THAT PHOTOGRAPH THAT BOTH OF US WERE E-MAILED OF OUR MOTHERS-- WHAT DOES IT MEAN? 71 00:07:57,143 --> 00:08:00,213 YOU WORK FOR THE CENTRE. I THOUGHT YOU PEOPLE KNOW EVERYTHING. 72 00:08:00,213 --> 00:08:03,483 - I KNOW THEY STILL WANT YOU BACK. - WHY, BECAUSE I'M A PRETENDER? 73 00:08:03,483 --> 00:08:05,485 BECAUSE I CAN BECOME ANYONE I WANT TO BE? 74 00:08:05,485 --> 00:08:08,988 I'M NOT BUYING THAT ONE ANYMORE. IT'S SOMETHING ELSE. 75 00:08:08,988 --> 00:08:11,424 JUST TELL ME WHAT YOU KNOW ABOUT THAT PHOTOGRAPH. 76 00:08:11,424 --> 00:08:15,928 I'M NOT SURE WHAT IT MEANS, BUT SOMETHING TELLS ME IT HOLDS THE KEY TO THIS WHOLE PUZZLE. 77 00:08:15,928 --> 00:08:17,864 AND THE FIRST ONE TO FIND THE ANSWERS WINS. 78 00:08:17,864 --> 00:08:20,166 [ Groans ] 79 00:08:20,166 --> 00:08:22,535 [ Vehicle Horn Honking, Engine Starts ] 80 00:08:32,078 --> 00:08:34,080 JAROD. 81 00:08:35,848 --> 00:08:38,117 [ Broots ] THE MUSEUM PEOPLE SAY THAT DR. JAROD... 82 00:08:38,117 --> 00:08:40,620 WAS THE FUNNIEST ARCHEO-SYMBOLOGIST THAT EVER WORKED FOR THEM. 83 00:08:41,120 --> 00:08:43,122 YES, HE'S A REGULAR LAUGH RIOT. 84 00:08:43,122 --> 00:08:47,193 -WHAT EXACTLY IS AN ARCHEO-SYMBOLOGIST? -[ Broots ] YOU KNOW. 85 00:08:47,193 --> 00:08:50,463 IT'S THE STUDY OF THE ORIGIN OF UNEXPLAINABLE SYMBOLS PASSED DOWN THROUGH THE AGES. 86 00:08:50,463 --> 00:08:52,465 IT'S A QUITE EXCITING FIELD. 87 00:08:52,465 --> 00:08:56,369 I CAN JUST IMAGINE THE CROP CIRCLE DECIPHERING PARTIES AT YOUR HOUSE. 88 00:08:56,369 --> 00:09:01,607 IS THERE ANY OTHER SYMBOL IN PARTICULAR THAT INTRIGUED JAROD? 89 00:09:01,607 --> 00:09:06,612 [ Broots ] NO. THE PEOPLE AT THE MUSEUM SAID THIS WAS THE ONLY THING HE LOOKED AT. 90 00:09:06,612 --> 00:09:10,583 THAT WHOLE BOX IS FULL OF DIFFERENT PHOTO ENHANCEMENTS OF IT. IT'S CREEPY TOO. 91 00:09:11,083 --> 00:09:15,021 EIGHT SKULLS IN A CIRCLE, GUARDING SOME KIND OF GIANT CHEST IN THE MIDDLE. 92 00:09:15,021 --> 00:09:18,858 THEY SAID JAROD WAS OBSESSED WITH FINDING OUT WHERE IT CAME FROM. 93 00:09:20,092 --> 00:09:22,895 [ Sydney ] WHATEVER THE SYMBOL MEANS, 94 00:09:22,895 --> 00:09:25,898 JAROD'S OBSESSION TELLS ME IT'S PERSONAL. 95 00:09:28,734 --> 00:09:32,004 AND THE FIRST ONE TO THE ANSWERS WINS. 96 00:09:32,505 --> 00:09:35,007 [ Man ] UH, MOST PEOPLE DON'T EVEN NOTICE THAT SPOOKY THING. 97 00:09:35,007 --> 00:09:38,010 [ Jarod ] IT'S WHY I'M HERE. I'VE BEEN DOING SOME RESEARCH ON SYMBOLOGY, 98 00:09:38,010 --> 00:09:40,012 WHICH LED ME TO THIS BUILDING. 99 00:09:40,513 --> 00:09:43,516 HUH. WELL, YOU'RE JUST IN TIME FOR OUR GOING-OUT-OF-BUSINESS SALE. 100 00:09:43,516 --> 00:09:47,587 - [ Sighs ] I SWEAR THIS JOINT'S GOT A MOJO ON IT. - MOJO? 101 00:09:47,587 --> 00:09:50,056 YEAH, ONE OF THOSE LOCATIONS WHERE NO MATTER WHAT BUSINESS... 102 00:09:50,056 --> 00:09:52,358 YOU RUN OUT OF IT, THE PLACE GOES BELLY UP. 103 00:09:52,358 --> 00:09:57,296 I MEAN, THIS IS A SPORTS BAR, RIGHT? IT'S AT A COLLEGE CAMPUS, AND I CAN'T GIVE BEER AWAY. 104 00:09:57,296 --> 00:10:01,667 I'M LOOKING FOR SOMEONE WHO MAY HAVE BEEN HERE YEARS AGO-- 105 00:10:01,667 --> 00:10:04,503 SOMEONE WHO MIGHT HAVE BEEN INTERESTED IN THIS SYMBOL ON THE WALL. 106 00:10:04,503 --> 00:10:06,272 OH, YEAH, THE CRAZY EIGHTS, HUH? 107 00:10:06,272 --> 00:10:09,642 - CRAZY EIGHTS? - WELL, THAT'S WHAT I CALL IT ANYWAY. 108 00:10:09,642 --> 00:10:14,714 THEY GOT EIGHT FREAKY DEAD GUYS IN A CIRCLE THERE AROUND THAT OTHER WEIRD THING. CRAZY EIGHTS. 109 00:10:14,714 --> 00:10:17,016 -THEY SAY IT ALL STARTED WITH THE, UH, VESPASIANS. -VESPASIANS? 110 00:10:17,016 --> 00:10:21,687 A SECRET SOCIETY THAT WAS FOUNDED ABOUT A HUNDRED YEARS AGO RIGHT IN THIS VERY BUILDING. 111 00:10:21,687 --> 00:10:26,592 - SECRET SOCIETY? - LIKE GUYS THAT RIDE AROUND ON MINIBIKES WITH FEZZES ON. 112 00:10:26,592 --> 00:10:30,196 ANYWAY, RUMOR HAS IT THAT SOME IMMIGRANT GUY SET UP SHOP HERE... 113 00:10:30,196 --> 00:10:35,201 AND AMASSED A FORTUNE HOLDING THESE EVIL-WORSHIP-TYPE MEETINGS DOWN IN THE BASEMENT. 114 00:10:35,201 --> 00:10:37,703 IT SOUNDS A LITTLE FAR FETCHED, DON'T YOU THINK? 115 00:10:37,703 --> 00:10:40,206 YEAH, THAT'S WHAT I THOUGHT AT FIRST TOO, 116 00:10:40,206 --> 00:10:44,043 TILL WE STARTED DOING RENOVATIONS IN THE BASEMENT, AND WE FOUND ALL THIS STUFF. 117 00:10:45,711 --> 00:10:47,513 RIGHT BACK HERE. 118 00:10:53,019 --> 00:10:55,521 WE WERE GONNA ADD A SECOND SEWER LINE DOWN HERE... 119 00:10:55,521 --> 00:10:58,024 TILL THE PLUMBER UNCOVERED THIS. 120 00:11:07,033 --> 00:11:09,335 HE, UH-- HE WOULDN'T FINISH THE JOB. 121 00:11:09,335 --> 00:11:12,772 I, UH-- I CAN'T SAY AS I BLAME HIM. 122 00:11:22,615 --> 00:11:25,618 THE HELL? 123 00:11:25,618 --> 00:11:28,754 - DAMN IT, IT'S MISSING. - WHAT'S MISSING? 124 00:11:28,754 --> 00:11:31,691 WELL, THERE WAS A BLUE BOX WITH A HEART CARVED ON IT. 125 00:11:31,691 --> 00:11:36,295 IT HAD A PORCELAIN DOLL INSIDE IT. THE LADY MUST HAVE TAKEN IT. 126 00:11:36,295 --> 00:11:39,198 - LADY? - YEAH, A LADY CAME DOWN HERE A COUPLE DAYS AGO. 127 00:11:39,198 --> 00:11:42,134 LET ME GUESS. SHE WAS BRUNETTE, TALL, GREAT LEGS. 128 00:11:42,635 --> 00:11:47,440 NO. NO SUCH LUCK. NO, AN OLDER LADY ASKIN' QUESTIONS ABOUT THE SYMBOLS AND THE VESPASIANS. 129 00:11:47,440 --> 00:11:50,009 WELL, HOLD IT. THAT'S-- THAT'S HER. 130 00:11:50,009 --> 00:11:53,646 YOU MUST KNOW HER. THAT'S HER IN THE PICTURE RIGHT THERE. 131 00:11:56,649 --> 00:11:59,118 ARE YOU SURE? YEAH. I MEAN, SHE WAS OLDER, SURE. 132 00:11:59,118 --> 00:12:02,455 BUT I'M POSITIVE. SHE WAS STANDIN' RIGHT WHERE YOU ARE, NOT THREE DAYS AGO. 133 00:12:02,455 --> 00:12:07,326 - UH, SHE MEAN SOMETHIN' TO YOU? - YES. SHE'S MY MOTHER. 134 00:12:07,326 --> 00:12:10,329 DID SHE SAY WHERE SHE WAS GOING? 135 00:12:10,329 --> 00:12:16,135 YEAH. SHE SAID SHE WAS GOIN' BACK TO, UH, WHERE THE GUY WHO BUILT THIS PLACE CAME FROM. 136 00:12:16,135 --> 00:12:18,237 RIGHT THERE-- 137 00:12:18,237 --> 00:12:21,173 AN ISLAND OFF SCOTLAND-- A PLACE CALLED CARTHIS, 138 00:12:21,173 --> 00:12:24,376 WHERE ALL THIS SPOOKY STUFF MUST HAVE COME FROM. 139 00:12:44,964 --> 00:12:46,766 WHAT ARE YOU DOING, MISS PARKER? 140 00:12:46,766 --> 00:12:52,071 SEARCHING FOR ANSWERS. I HAVE TO KNOW IF DADDY IS MY REAL FATHER. 141 00:12:52,071 --> 00:12:54,940 HERE'S MY GENETIC MATERIAL. 142 00:12:54,940 --> 00:12:58,477 YOU GET A SAMPLE OF MY FATHER'S AND RUN A COMPARATIVE. 143 00:12:58,477 --> 00:13:01,313 YOUR FATHER'S BEING GUARDED BY THOSE PSYCHO ZULUS. 144 00:13:01,313 --> 00:13:05,184 I DON'T THINK THEY'RE GONNA TAKE TOO KINDLY TO US PLUNGING A NEEDLE IN YOUR OLD MAN'S ARM. 145 00:13:05,184 --> 00:13:09,722 THERE'S ANOTHER WAY, BROOTS-- THE CENTRE'S BODILY FLUID STORAGE FACILITY. 146 00:13:09,722 --> 00:13:12,792 BODILY FLUID STORAGE FACILITY? WHAT THE HELL IS THAT FOR? 147 00:13:12,792 --> 00:13:16,162 BLOOD STORAGE FOR ANYONE IMPORTANT WHO MAY NEED A TRANSFUSION. 148 00:13:16,162 --> 00:13:21,267 - WELL, THEY DIDN'T TAKE MINE. - GET A SAMPLE OF MY FATHER'S. 149 00:13:21,267 --> 00:13:24,069 PARKER, HAVE YOU CONSIDERED THE PSYCHOLOGICAL IMPLICATIONS? 150 00:13:24,069 --> 00:13:26,672 SYDNEY, PLEASE, JUST DO IT. 151 00:13:29,809 --> 00:13:32,678 [ Beeping ] 152 00:13:36,015 --> 00:13:40,786 MISS PARKER, I DON'T KNOW WHAT YOU'RE LOOKING FOR, BUT I'D BE HAPPY TO HELP YOU. 153 00:13:44,056 --> 00:13:48,194 THANK YOU, BROOTS. BUT THIS IS ONE MYSTERY THAT I HAVE TO SOLVE MYSELF. 154 00:13:54,500 --> 00:13:58,003 AND THERE'S ONLY ONE PERSON QUALIFIED TO HELP. 155 00:13:58,003 --> 00:14:02,107 [ Miss Parker, Voice-over ] ANGELO, I NEED YOU TO USE YOUR GIFT AS AN EMPATH... 156 00:14:02,107 --> 00:14:05,611 AND TELL ME WHAT MY MOTHER AND JAROD'S MOTHER WERE DOING TOGETHER. 157 00:14:05,611 --> 00:14:08,414 MISS PARKER'S MOTHER-- 158 00:14:08,414 --> 00:14:10,416 SAD. 159 00:14:10,916 --> 00:14:13,786 JAROD'S MOTHER-- FRIGHTENED. 160 00:14:13,786 --> 00:14:17,556 WHAT ABOUT WHAT'S ON THE WALL IN THE IVY? 161 00:14:21,927 --> 00:14:23,428 VESPASIANS. 162 00:14:23,428 --> 00:14:26,598 VESPASIANS. VESPASIAN-- 163 00:14:26,598 --> 00:14:30,402 VESPASIAN-- VESPASIANS! VESPASIAN-- 164 00:14:31,270 --> 00:14:33,639 - ANGELO! - [ Screaming ] 165 00:14:33,639 --> 00:14:35,908 ANGELO, PLEASE! 166 00:14:37,376 --> 00:14:41,013 CALM DOWN. CALM DOWN. IT'S OKAY. CALM. 167 00:14:41,013 --> 00:14:43,882 ANGELO, I NEED YOUR HELP. 168 00:14:45,484 --> 00:14:49,922 - WHAT ARE VESPASIANS? - EVIL. EVIL PE-- EVIL PEOPLE! 169 00:14:49,922 --> 00:14:54,326 EVIL PEOPLE. EVIL PEOPLE. EVIL PEOPLE! EVIL PEOPLE! 170 00:14:54,326 --> 00:14:56,528 WHERE CAN I FIND THE EVIL PEOPLE? 171 00:14:56,528 --> 00:15:00,265 EVIL PEOPLE. PLACE. 172 00:15:00,265 --> 00:15:04,536 EVIL PEOPLE, EVIL PLACE. EVIL PEOPLE, EVIL PLACE. 173 00:15:04,536 --> 00:15:06,738 EVIL PEOPLE, EVIL PLACE! 174 00:15:06,738 --> 00:15:09,841 ANGELO. 175 00:15:09,841 --> 00:15:11,677 WHERE CAN I FIND THE EVIL PEOPLE? 176 00:15:12,177 --> 00:15:14,179 ON THE ISLAND. 177 00:15:16,248 --> 00:15:19,718 THE ISLAND OF THE HAUNTED. 178 00:15:25,724 --> 00:15:28,527 ARE YOU SURE YOU WANT TO GO THERE? 179 00:15:28,527 --> 00:15:31,830 THEY SAY THAT THE SOULS OF THE DAMNED WALK ON THAT ISLE. 180 00:15:31,830 --> 00:15:35,667 I'VE BEEN SEARCHING FOR YEARS FOR ANSWERS THAT MIGHT BE ON THAT ISLAND. 181 00:15:35,667 --> 00:15:39,204 WHAT IS IT YOU SAY YOU DID AGAIN? 182 00:15:39,204 --> 00:15:41,206 I'M AN ARCHAEOLOGIST. 183 00:15:41,206 --> 00:15:45,444 WELL, MR. ARCHAEOLOGIST, IF THE ANSWERS YOU'RE DIGGIN' FOR... 184 00:15:45,444 --> 00:15:49,147 ARE ON THAT ISLAND, YOU'D BE BETTER OFF NOT KNOWIN' THEM. 185 00:15:49,147 --> 00:15:52,918 SOMETHING THAT OFFENDED GOD HIMSELF HAPPENED ON THAT LAND. 186 00:15:52,918 --> 00:15:55,654 ONLY EVIL LEAVES THAT PLACE. 187 00:15:55,654 --> 00:15:59,691 I FERRY PEOPLE BACK AND FORTH FROM IT, PERIOD. 188 00:15:59,691 --> 00:16:02,561 HELL, IF I WAS TO CAPSIZE RIGHT NOW, 189 00:16:02,561 --> 00:16:05,530 EVEN WITH THIS GREAT BLOODY STORM COMIN', 190 00:16:05,530 --> 00:16:09,968 I'D RATHER TAKE MY CHANCES IN THE SEA... THAN SET ONE FOOT ON THAT LAND. 191 00:16:24,650 --> 00:16:30,022 PLEASE, BROTHER RINALDUS, WE'RE SCARED. THEY DON'T CALL IT THE DEVIL'S STORM FOR NOTHIN'. 192 00:16:30,022 --> 00:16:34,826 I SPEAK FOR EVERYBODY WHEN I SAY THAT WE'D ALL FEEL SAFER IF WE LEFT. 193 00:16:35,327 --> 00:16:38,397 'TIS A HUGE STORM, BROTHER RINALDUS. AGREED. 194 00:16:38,397 --> 00:16:42,300 BUT I STRONGLY BELIEVE ITS COURSE'LL TAKE IT 50 KILOMETERS TO THE EAST OF US. 195 00:16:42,300 --> 00:16:46,071 AS A MATTER OF PRECAUTION, WE COULD ARRANGE FOR A COUPLE OF SHALLOW BOATS TO EVACUATE... 196 00:16:46,071 --> 00:16:49,775 COME MORNING, IF THE STORM CHANGES COURSE. 197 00:16:49,775 --> 00:16:53,278 I FEAR IT WILL CHANGE COURSE. IT'S TIME FOR A CLEANSIN' STORM TO COME. 198 00:16:53,779 --> 00:16:57,182 WE BEAR RESPONSIBILITY FOR THE SOULS ON THIS ISLE. 199 00:16:57,182 --> 00:16:59,718 YES. PLEASE, BROTHER, PLEASE. 200 00:17:02,454 --> 00:17:05,157 AYE, VERY WELL-- 201 00:17:05,157 --> 00:17:07,893 THOUGH I THINK THE TWO OF YOU ARE BEING OVERLY FRETFUL, AS USUAL. 202 00:17:07,893 --> 00:17:10,662 I'LL ARRANGE TO HAVE THE SHALLOW BOATS PREPARED FOR DAWN. 203 00:17:10,662 --> 00:17:13,532 THANK YOU, BROTHER. 204 00:17:14,032 --> 00:17:17,869 EXCUSE ME. TO WHOM DOES ONE SPEAK ABOUT ACCOMMODATIONS? 205 00:17:17,869 --> 00:17:22,374 THAT WOULD BE ME. I AM BROTHER RINALDUS. THIS IS BROTHER MENENICUS AND BROTHER CLOTE. 206 00:17:22,374 --> 00:17:25,243 I CAN'T SAY AS I WAS INFORMED TO EXPECT A STRANGER. 207 00:17:25,243 --> 00:17:29,047 MY NAME IS JAROD. I'M LOOKING FOR REFUGE. 208 00:17:29,047 --> 00:17:33,585 I WAS TOLD THAT NO TRAVELER SEEKING SANCTUARY ON THESE SHORES WOULD BE TURNED AWAY. 209 00:17:33,585 --> 00:17:36,722 OF COURSE. BROTHERS, PLEASE. 210 00:17:36,722 --> 00:17:38,957 THANK YOU. 211 00:17:42,294 --> 00:17:46,431 WATCH YOUR STEP. MUCH OF THE MONASTERY'S OVER 700 YEARS OLD, 212 00:17:46,431 --> 00:17:48,934 ALL BUILT BY THE BROTHERS BEFORE US-- 213 00:17:48,934 --> 00:17:51,937 MOST OF WHOM WERE BETTER BRANDY MAKERS THAN MASONS. 214 00:17:51,937 --> 00:17:56,775 SO THE RUMOR THAT THE MONASTERY WAS BUILT BY AN OFFSHOOT OF THE KNIGHTS TEMPLAR IS TRUE? 215 00:17:56,775 --> 00:18:01,780 TRUE OR NOT, QUESTIONS LIKE THAT SHOULD BEST BE ADDRESSED TO BROTHER RINALDUS. 216 00:18:01,780 --> 00:18:04,282 THOUGH I DOUBT ANYONE CAN PICTURE ME... 217 00:18:04,282 --> 00:18:07,786 AS BELONGING TO SOME SECRET SOCIETY OF WARRIOR MONKS, 218 00:18:07,786 --> 00:18:11,790 UNLESS, OF COURSE, THE WEAPON OF CHOICE WERE SKIN AND BONE. 219 00:18:15,794 --> 00:18:18,797 BY MODERN STANDARDS, THE AMENITIES ARE PRIMITIVE, 220 00:18:18,797 --> 00:18:22,801 WITH NO ELECTRIC, NO PHONES AND VERY LITTLE RUNNING WATER. 221 00:18:23,301 --> 00:18:24,803 THIS WILL BE JUST FINE. 222 00:18:25,303 --> 00:18:28,807 AS A MATTER OF FACT, IT SORT OF REMINDS ME OF THE PLACE I GREW UP IN. 223 00:18:28,807 --> 00:18:32,811 THINK OF THE ISLE AS A GOOD PLACE TO GET AWAY FROM THE MODERN WORLD. 224 00:18:33,311 --> 00:18:36,815 AND WHAT ABOUT OTHER VISITORS? VISITORS? 225 00:18:37,315 --> 00:18:39,317 LET'S SAY SOMEONE WAS LOOKING FOR ME. 226 00:18:39,317 --> 00:18:45,323 IF SOMEONE WERE LOOKING FOR YOU, OR YOU WERE LOOKIN' FOR THEM, YOU'D BE IN THE WRONG PLACE. 227 00:18:45,323 --> 00:18:50,829 FOR CENTURIES THE VESPASIAN BROTHERS HAVE MADE THIS A PLACE OF REFUGE. 228 00:18:50,829 --> 00:18:54,332 PRIVACY OF OUR GUESTS HAS ALWAYS BEEN THE RULE. 229 00:18:54,833 --> 00:18:56,835 BUT, UH-- 230 00:18:57,335 --> 00:18:58,837 THANK YOU. 231 00:19:28,567 --> 00:19:30,402 [ Thunderclap ] 232 00:19:34,606 --> 00:19:37,676 [ Jarod's Mother ] JAROD, JAROD. 233 00:19:37,676 --> 00:19:40,679 [ Continues, Indistinct ] 234 00:19:44,716 --> 00:19:47,886 HELP ME! [ Echoing, Screaming ] 235 00:19:47,886 --> 00:19:50,789 [ Child ] NO, MOMMY, NO! 236 00:19:50,789 --> 00:19:53,024 [ Bell Tolling ] 237 00:19:53,859 --> 00:19:56,628 [ Bell Continues ] [ Chattering ] 238 00:19:58,363 --> 00:20:01,666 WHAT'S GOING ON? EVACUATION! 239 00:20:02,934 --> 00:20:05,904 THE STORM CHANGED COURSE IN THE NIGHT AND DOUBLED IN SIZE. 240 00:20:05,904 --> 00:20:09,207 IT'S A DEVIL'S STORM, SURE ENOUGH, THE TYPE THAT COMES ONCE A CENTURY. 241 00:20:09,207 --> 00:20:12,110 AND IT'S HEADING FOR THIS ISLE. THE BELLS ANNOUNCE THE EVACUATION. 242 00:20:12,110 --> 00:20:14,546 HALF THE ISLE'S ALREADY GONE. THEY'RE ALREADY GONE? 243 00:20:14,546 --> 00:20:19,484 THE NEXT SET OF BELLS ANNOUNCE THE LAST BOAT. BE ON IT. BUT WAIT. I-I CAN'T LEAVE! 244 00:20:19,484 --> 00:20:22,554 BROTHER RINALDUS'S ORDERS! LISTEN FOR THE BELLS! 245 00:20:22,554 --> 00:20:26,091 - SAVE YOUR LIFE! - EXCUSE ME. 246 00:20:26,091 --> 00:20:28,793 - HAVE YOU EVER SEEN THIS WOMAN ON THE ISLAND? - NO, NO. 247 00:20:28,793 --> 00:20:31,930 EXCUSE ME. HAVE YOU EVER SEEN HER? MM-MMM. 248 00:20:31,930 --> 00:20:33,732 EXCUSE ME, SIR. NO. 249 00:20:34,232 --> 00:20:37,168 [ Man ] I'LL GET HER, I'LL GET HER! YOU HURRY UP! 250 00:20:48,914 --> 00:20:51,650 MOM! MOM! 251 00:20:52,951 --> 00:20:54,920 [ Helicopter Whirring ] 252 00:20:58,990 --> 00:21:01,927 NO, MOM-- 253 00:21:21,813 --> 00:21:24,382 EXCUSE ME! EXCUSE ME. WHERE'S EVERYONE GOING? 254 00:21:24,382 --> 00:21:27,986 OFF THE ISLE! THERE'S A BAD STORM COMING! IF YOU'RE SMART, YOU'LL LEAVE TOO! 255 00:21:28,486 --> 00:21:31,823 WEATHER UPDATES I DON'T NEED, ANSWERS I DO. DOES THIS RING A BELL? 256 00:21:31,823 --> 00:21:35,961 THAT'S THE ARCHWAY TO THE CHAPEL OF SOULS. IT'S UP THE PATH TO WHERE IT DEAD-ENDS. 257 00:21:35,961 --> 00:21:38,163 HOW ABOUT THIS MAN? HAVE YOU SEEN HIM? 258 00:21:39,364 --> 00:21:43,234 VESPASIANS SPEAK OF NO VISITORS HERE. GOD BE WITH YOU! 259 00:21:46,738 --> 00:21:49,174 [ Animal Squeals ] 260 00:21:52,944 --> 00:21:55,547 [ Broots ] WHERE DOES ADAMA GET THESE TRIUMVIRATE FREAKS ANYWAY? 261 00:21:55,547 --> 00:21:59,417 THEY MAKE THE CENTRE SWEEPERS LOOK LIKE ANOREXIC POWERPUFF GIRLS. 262 00:21:59,417 --> 00:22:02,754 YOU'RE CERTAIN ABOUT THEIR SHIFT SCHEDULE, BROOTS? 263 00:22:02,754 --> 00:22:06,624 ACCORDING TO MISS PARKER, THEY SWAP OUT EVERY SIX HOURS. WHERE'S SHE BEEN ALL DAY ANYWAY? 264 00:22:06,624 --> 00:22:10,295 SHE COULD AT LEAST HAVE THE DECENCY TO RISK HER BUTT ALONG WITH OURS. 265 00:22:10,295 --> 00:22:12,530 IT'S NOW OR NEVER, SYD. 266 00:22:18,203 --> 00:22:20,438 [ Rapid Beeping ] 267 00:22:31,316 --> 00:22:34,285 OH, GOSH. [ Sputters ] 268 00:22:38,757 --> 00:22:42,527 IT'S PLACENTA AND CORD BLOOD SAMPLES... 269 00:22:42,527 --> 00:22:44,662 FROM BRIGITTE AND MR. PARKER'S BABY BOY. 270 00:22:44,662 --> 00:22:49,100 NOT TO SOUND CYNICAL OR ANYTHING, BUT HAS ANYBODY SEEN THAT LITTLE KID LATELY? 271 00:22:54,639 --> 00:22:57,442 - OH, GEEZ. - WHAT IS IT? 272 00:22:57,442 --> 00:23:01,146 I AM SO UNDERPAID. MISS PARKER OWES ME SO BIG. 273 00:23:01,146 --> 00:23:04,783 IS THAT MR. PARKER'S BLOOD? I WISH IT WERE MR. PARKER'S BLOOD. 274 00:23:04,783 --> 00:23:09,354 THE ONLY SAMPLE OF MR. PARKER'S IN HERE IS SEMEN. 275 00:23:11,156 --> 00:23:13,792 LET'S GET THE HELL OUT OF HERE. 276 00:23:15,260 --> 00:23:18,630 [ Man ] RIGHT OVER THERE, MA'AM. OVER THERE. 277 00:23:25,403 --> 00:23:28,106 [ Man ] OVER THERE! OVER THERE! 278 00:23:34,979 --> 00:23:37,115 CAN I BE OF HELP, STRANGER? 279 00:23:40,051 --> 00:23:44,689 I'M JUST... LEAVING, LIKE EVERYONE ELSE. 280 00:23:51,930 --> 00:23:54,365 [ Horse Whinnies ] 281 00:23:56,301 --> 00:23:59,104 IT'S SAD TO BE ALONE. 282 00:24:01,306 --> 00:24:05,210 I'M TERRIBLY SORRY TO INTRUDE. YOU'RE NOT AN INTRUDER. 283 00:24:05,210 --> 00:24:07,445 YOU'RE THE SEEKER. 284 00:24:07,445 --> 00:24:11,783 SHOULDN'T YOU BE PREPARING TO EVACUATE FROM THE STORM? 285 00:24:15,286 --> 00:24:17,655 AREN'T YOU AFRAID OF WHAT'S COMING? 286 00:24:17,655 --> 00:24:20,125 OCEE'S JOURNEY ALMOST DONE. 287 00:24:20,125 --> 00:24:24,395 YOURS, JUST BEGINNING. YOURS, FULL OF PAIN. 288 00:24:24,395 --> 00:24:25,697 PAIN? 289 00:24:27,565 --> 00:24:31,503 YOU'VE A BROKEN HEART. YOU HAVE NOT FOUND... 290 00:24:31,503 --> 00:24:33,872 THE LOVED ONE YOU SEEK-- 291 00:24:34,372 --> 00:24:37,242 THE WOMAN WITH THE SCARLET HAIR. 292 00:24:59,097 --> 00:25:01,332 [ Girl Giggles ] 293 00:25:03,001 --> 00:25:05,203 HELLO. 294 00:25:07,272 --> 00:25:10,575 -IT'S IN THE CHAPEL. -WHAT'S IN THE CHAPEL? 295 00:25:12,577 --> 00:25:14,245 WAIT! 296 00:25:16,047 --> 00:25:19,484 [ Jarod ] TELL ME WHAT YOU KNOW ABOUT THE WOMAN WITH THE SCARLET HAIR. 297 00:25:19,484 --> 00:25:22,253 I-I SAW HER EARLIER, BUT I LOST HER. 298 00:25:22,253 --> 00:25:26,057 THE ONE YOU SEEK... SEEKS YOU AS WELL. 299 00:25:26,057 --> 00:25:28,927 OCEE, HELP ME. PLEASE. 300 00:25:39,037 --> 00:25:41,472 OCEE, WHAT'S THE MATTER? 301 00:25:41,472 --> 00:25:44,209 DANGER. SHE'S IN DANGER-- NOW. 302 00:25:44,209 --> 00:25:45,944 WHERE? 303 00:25:45,944 --> 00:25:48,546 - CHAPEL OF SOULS! - THE CHAPEL OF SOULS! 304 00:26:04,028 --> 00:26:06,364 -[ Woman Screams ] -[ Gunshot ] 305 00:26:56,381 --> 00:26:59,651 - [ Gasps ] - MY GOD. YOU LOOK JUST LIKE HER! 306 00:26:59,651 --> 00:27:01,786 [ Gasps ] WAIT! 307 00:27:19,170 --> 00:27:23,608 NEXT TIME YOU SLAM ME LIKE THAT, YOU'D BETTER MAKE IT COUNT. 308 00:27:23,608 --> 00:27:26,844 - MISS PARKER. - DROP THE SURPRISED CRAP, JAROD. 309 00:27:26,844 --> 00:27:30,048 "FIRST ONE TO THE ANSWERS WINS." THAT IS WHAT YOU SAID, ISN'T IT? 310 00:27:30,048 --> 00:27:34,519 MY MOTHER IS ON THIS ISLAND. I HAVE REASON TO BELIEVE SHE'S IN DANGER. 311 00:27:35,019 --> 00:27:36,988 NOW IS NOT THE TIME TO PLAY CENTRE BOUNTY HUNTER! 312 00:27:36,988 --> 00:27:39,557 - THEN THAT WAS YOUR MOTHER. - YOU SAW HER? 313 00:27:39,557 --> 00:27:42,960 YEAH, JUST NOW. SHE WAS... PANICKED, AND HER ARM WAS BLEEDING. 314 00:27:42,960 --> 00:27:45,963 SHE WAS HURT. [ Bell Tolling ] 315 00:27:45,963 --> 00:27:48,900 LOOK, THAT'S THE LAST SHUTTLE BOAT OFF THIS ISLAND. 316 00:27:48,900 --> 00:27:52,403 ANSWERS WE BOTH HAVE BEEN SEARCHING FOR COULD BE LEAVING RIGHT NOW. 317 00:27:52,403 --> 00:27:55,139 PLEASE. 318 00:27:57,975 --> 00:28:00,378 WAIT! STOP THE BOAT! 319 00:28:02,313 --> 00:28:07,285 MOM! MOM! 320 00:28:07,285 --> 00:28:09,921 [ Coughing ] 321 00:28:11,989 --> 00:28:15,259 [ Groans ] NO-O-O! 322 00:28:15,259 --> 00:28:17,428 FORGIVE ME, LORD. 323 00:28:17,428 --> 00:28:19,430 FORGIVE ME. 324 00:28:19,430 --> 00:28:21,432 [ Sobbing ] 325 00:28:30,975 --> 00:28:32,977 [ Panting ] 326 00:28:33,978 --> 00:28:37,081 SHE WAS RIGHT HERE. 327 00:28:37,081 --> 00:28:39,050 MY MOTHER WAS RIGHT HERE IN FRONT OF ME. 328 00:28:39,550 --> 00:28:42,553 ONCE AGAIN, IT'S THE CENTRE THAT STOPS US FROM BEING TOGETHER. 329 00:28:47,225 --> 00:28:49,227 WHERE DO YOU THINK YOU'RE GOING? 330 00:28:53,164 --> 00:28:58,136 IN CASE YOU HADN'T NOTICED, THAT'S THE LAST BOAT OFF THE ISLAND. 331 00:28:58,136 --> 00:29:02,373 WE'RE ALONE NOW, SO YOU CAN SHOOT ME IF YOU WANT TO. 332 00:29:02,373 --> 00:29:05,143 BUT I'M GOING TO FIND OUT WHAT MY MOTHER WAS DOING HERE, 333 00:29:05,643 --> 00:29:09,013 AND WHY SOMEONE TRIED TO KILL HER TO STOP HER FROM DOING IT. 334 00:29:09,013 --> 00:29:11,816 [ Thunderclap ] 335 00:29:11,816 --> 00:29:15,153 [ Wind Whistling ] 336 00:29:23,094 --> 00:29:25,363 [ Raines ] LYLE. 337 00:29:29,801 --> 00:29:32,203 YOU TOOK MY THUMB. 338 00:29:34,639 --> 00:29:37,742 YOU WEREN'T USING IT AT THE TIME. 339 00:29:37,742 --> 00:29:42,480 A DIGIT IS THE LEAST I COULD GIVE YOU FOR THE FAVOR I'M ABOUT TO ASK. 340 00:29:46,751 --> 00:29:49,554 THE PRELIMINARY RESULTS WILL BE IN IN LESS THAN 24 HOURS. 341 00:29:50,054 --> 00:29:52,557 I TRIED TO CONTACT MISS PARKER, BUT-- I COULDN'T FIND HER EITHER. 342 00:29:52,557 --> 00:29:55,560 I DON'T GET IT. HER FATHER'S GENETIC TEST RESULTS ARE SO IMPORTANT TO HER. 343 00:29:56,060 --> 00:29:59,564 NOW THAT THEY'RE IN MOTION, SHE UP AND DISAPPEARS. THAT'S REALLY WEIRD. 344 00:29:59,564 --> 00:30:03,468 YEAH, IT'S NOT LIKE HER TO STAY OUT OF CONTACT FOR SO LONG. NO, NO. NOT THAT. 345 00:30:03,468 --> 00:30:05,837 THAT. 346 00:30:05,837 --> 00:30:08,873 MR. RAINES IS BACK. 347 00:30:11,176 --> 00:30:13,745 SOMETHING REALLY STRANGE IS GOING ON AROUND HERE. 348 00:30:13,745 --> 00:30:15,513 COME ON. 349 00:30:17,382 --> 00:30:20,051 [ Thunderclap ] [ Miss Parker ] I FOUND YOUR MOTHER IN HERE, 350 00:30:20,051 --> 00:30:22,187 AFTER I HEARD THE GUNSHOT. 351 00:30:22,187 --> 00:30:24,355 SHE WAS BY THE CONFESSIONAL. 352 00:30:31,262 --> 00:30:33,631 IT'S MY MOTHER'S BLOOD. 353 00:30:34,999 --> 00:30:37,835 SOMEBODY'S BOOT PRINT WITH A CRACK IN THE HEEL. 354 00:30:37,835 --> 00:30:41,206 IT MUST'VE BELONGED TO THE MAN WHO SHOT HER. 355 00:30:41,206 --> 00:30:43,208 AND KNOCKED ME OUT. 356 00:30:44,209 --> 00:30:46,211 IT LEADS THIS WAY. 357 00:30:56,688 --> 00:30:59,190 JAROD, LOOK. YOUR MOTHER WAS CARRYING THAT. 358 00:31:03,194 --> 00:31:05,196 THERE'S BLOOD ON IT. 359 00:31:05,196 --> 00:31:07,699 [ Zipper Unzips ] 360 00:31:10,034 --> 00:31:14,606 [ Miss Parker ] WELL, IT'S EMPTY, EXCEPT FOR THE IMPRESSION OF A SMALL BODY. 361 00:31:14,606 --> 00:31:16,874 MY MOTHER FOUND A DOLL IN THE BUILDING... 362 00:31:16,874 --> 00:31:19,377 THAT SHE AND YOUR MOTHER WERE PHOTOGRAPHED IN FRONT OF. 363 00:31:19,377 --> 00:31:21,379 THIS MUST HAVE BEEN THE BOX IT CAME IN. 364 00:31:21,379 --> 00:31:24,315 [ Miss Parker ] "P-47." WHAT DOES THAT MEAN TO YOU? 365 00:31:24,315 --> 00:31:27,118 - NOTHING-- YET. -[ Twig Cracks ] 366 00:31:27,118 --> 00:31:29,821 SO MUCH FOR BEING ALONE ON THE ISLAND. 367 00:31:33,958 --> 00:31:37,228 [ Grunts ] OCEE? 368 00:31:37,228 --> 00:31:39,397 WHY DIDN'T YOU LEAVE WITH THE OTHERS? 369 00:31:39,897 --> 00:31:41,866 [ Ocee ] OCEE BORN HERE. OCEE DYING HERE. 370 00:31:41,866 --> 00:31:45,169 DID SHE GET OFF THE ISLAND ALL RIGHT? DID WHO GET OFF THE ISLAND? 371 00:31:45,169 --> 00:31:49,941 THE WOMAN WITH SCARLET HAIR-- YOUR MOTHER, OF COURSE. 372 00:31:49,941 --> 00:31:52,677 HOW DID YOU KNOW SHE WAS MY MOTHER? 373 00:31:52,677 --> 00:31:55,446 YOU'RE JAROD, AREN'T YOU? 374 00:32:03,488 --> 00:32:08,159 YOUR MOTHER CAME TO ME FOR HERBS, COMPLAINING OF HEADACHES. 375 00:32:08,159 --> 00:32:13,765 BUT IT WAS EASY, EVEN FOR A BLIND WOMAN, TO SEE THAT IT WAS HER HEART THAT WAS ACHING. 376 00:32:13,765 --> 00:32:16,934 AND THAT SHE FEARED FOR HER LIFE. 377 00:32:18,102 --> 00:32:22,440 OCEE, WHAT WAS MY MOTHER SEARCHING FOR? 378 00:32:23,841 --> 00:32:26,010 TO FIND OUT WHO YOU ARE. 379 00:32:27,512 --> 00:32:30,848 WHAT DO YOU MEAN, WHO I AM? 380 00:32:30,848 --> 00:32:33,685 ALL I KNOW IS WHAT SHE SPOKE. 381 00:32:33,685 --> 00:32:37,455 SHE AND ANOTHER WOMAN HAD BEEN TRYING TO DISCOVER THE TRUTH... 382 00:32:37,455 --> 00:32:39,957 FOR A LONG TIME. 383 00:32:40,458 --> 00:32:42,994 THAT MUST HAVE BEEN YOUR MOTHER. 384 00:32:43,895 --> 00:32:45,830 YOU SURE YOU'RE BLIND? 385 00:32:45,830 --> 00:32:48,766 SIGHT MAY COME FROM ONE'S EYES, 386 00:32:48,766 --> 00:32:51,135 BUT THE VISION COMES FROM ONE'S HEART. 387 00:32:53,638 --> 00:32:56,207 JAROD, IF YOUR MOTHER WAS SEARCHING FOR SOMETHING IN THE CHAPEL, 388 00:32:56,207 --> 00:32:59,177 - MAYBE THE LITTLE GIRL COULD TELL US WHAT IT WAS. - LITTLE GIRL? 389 00:32:59,177 --> 00:33:03,348 I WAS LED TO THE CHAPEL BY A LITTLE GIRL WITH LONG, LIGHT-BROWN HAIR. 390 00:33:03,348 --> 00:33:06,150 LITTLE GIRL ON THIS ISLAND? ARE YOU SURE? 391 00:33:06,150 --> 00:33:08,519 I'M THE ONE WHO KNOWS WHATISAW. LITTLE GIRL OR NOT-- 392 00:33:08,519 --> 00:33:12,557 OCEE, TELL ME: WHAT WAS MY MOTHER SEARCHING FOR? 393 00:33:12,557 --> 00:33:15,259 SHE WAS SEARCHING FOR THE SCROLLS, OF COURSE. 394 00:33:15,760 --> 00:33:17,895 [ Thunder Rumbling ] 395 00:33:29,040 --> 00:33:32,977 - ANY CHANGE? - YOU HAVE A PURPOSE FOR BEING HERE? 396 00:33:32,977 --> 00:33:36,514 YES. YOU HAVE A CALL COMING IN FROM AFRICA. 397 00:33:36,514 --> 00:33:38,983 IT'S BEEN REQUESTED YOU TAKE IT ON A SECURE LINE. 398 00:33:38,983 --> 00:33:41,386 THERE'S ONE AT THE END OF THE HALL. 399 00:33:56,934 --> 00:33:58,936 PUT IT THROUGH. 400 00:33:58,936 --> 00:34:00,938 BE JUST A SECOND. 401 00:34:13,050 --> 00:34:15,686 WELL, IT SADDENS ME TO SEE YOU THIS WAY. 402 00:34:15,686 --> 00:34:19,524 I KNOW YOU'RE IN GREAT TURMOIL. 403 00:34:21,826 --> 00:34:24,328 THAT'S WHY I'M HERE. 404 00:34:24,328 --> 00:34:26,664 I CAME OUT OF LOVE. 405 00:34:30,902 --> 00:34:33,871 I'M SURE THE CALL WILL BE COMING THROUGH ANY SECOND. 406 00:34:33,871 --> 00:34:37,141 YOU AND I HAVE ALWAYS BEEN CLOSER... 407 00:34:38,643 --> 00:34:42,613 THAN ANYONE HERE HAS EVER KNOWN, EVER SUSPECTED. 408 00:34:42,613 --> 00:34:46,484 I KNOW YOU COULD NEVER TRULY ACKNOWLEDGE OUR RELATIONSHIP, 409 00:34:46,484 --> 00:34:48,986 ESPECIALLY TO CATHERINE. 410 00:34:48,986 --> 00:34:51,989 BUT BECAUSE OF OUR BOND, 411 00:34:51,989 --> 00:34:53,891 I HAD TO COME. 412 00:34:55,726 --> 00:35:00,164 TELL ME THE TRUTH. ARE YOU FAKING THIS? 413 00:35:00,665 --> 00:35:02,667 PLEASE TELL ME. 414 00:35:02,667 --> 00:35:05,670 I CAN HELP. I WANT TO HELP YOU. 415 00:35:14,111 --> 00:35:17,014 I WANT TO SHOW YOU SOMETHING. 416 00:35:20,885 --> 00:35:23,187 IT'S THE TRUTH, ISN'T IT? 417 00:35:25,122 --> 00:35:29,794 DAMN IT ALL, TELL ME THE TRUTH! WE DON'T HAVE MUCH TIME! 418 00:35:37,301 --> 00:35:39,403 -[ Handset Settles In Cradle ] - WHAT ARE YOU DOING? 419 00:35:39,904 --> 00:35:42,406 IF IT'S URGENT, I'M SURE THEY WILL CALL BACK. 420 00:35:42,406 --> 00:35:46,377 ADAMA! ADAMA, WAIT! ADAMA? ADAMA, WAIT. 421 00:35:54,652 --> 00:35:57,021 DON'T LEAVE HIM ALONE. 422 00:36:25,383 --> 00:36:28,920 [ Miss Parker ] WHAT IS THIS PLACE? [ Ocee ] IT'S THE CRYPT ROOM. 423 00:36:28,920 --> 00:36:31,689 IT WAS BUILT ON THE SOULS OF THE ORIGINAL MONK WARRIORS... 424 00:36:31,689 --> 00:36:35,192 WHO BROUGHT THE SCROLLS TO THIS ISLAND AND FOUNDED THE ORDER-- 425 00:36:35,693 --> 00:36:38,195 LITERALLY ON THEIR SOULS. 426 00:36:39,630 --> 00:36:42,466 [ Ocee ] THE LEGEND ON CARTHIS IS... 427 00:36:42,466 --> 00:36:47,305 THAT WHEN BROTHER VESPUS AND HIS DISCIPLES RETURNED FROM THE CRUSADES, 428 00:36:47,305 --> 00:36:52,777 THEY BROUGHT WITH THEM MYSTIC SCROLLS OF BIBLICAL PROPORTIONS. 429 00:36:52,777 --> 00:36:57,381 YOU MEAN, LIKE THE HOLY GRAIL OR SOMETHING LIKE THAT? SOMETHING EXACTLY LIKE THAT. 430 00:37:00,551 --> 00:37:04,255 THE MONKS HAD GIVEN THEIR SOLEMN WORD TO POPE INNOCENT... 431 00:37:04,255 --> 00:37:07,124 THAT THEY WOULD BURY THE SCROLLS IN THE SEA. 432 00:37:07,124 --> 00:37:10,428 BUT INSTEAD, THEY BROUGHT THEM HERE AND HID THEM. 433 00:37:11,596 --> 00:37:14,532 THROUGH THE CENTURIES, SEEKERS OF DESTINY... 434 00:37:14,532 --> 00:37:19,737 HAVE COME TO THE ISLE SEEKING THE SCROLLS AND THEIR MYSTIC POWER. 435 00:37:19,737 --> 00:37:25,543 MANY SEARCHERS HAVE VENTURED INTO THE WOODS, NEVER TO RETURN AT ALL. 436 00:37:27,311 --> 00:37:31,949 IT IS SAID THAT THE FATE OF THE ONE WHO DARES DEFILE THE SCROLLS... 437 00:37:31,949 --> 00:37:34,852 WILL BE FILLED WITH ETERNAL DAMNATION. 438 00:37:34,852 --> 00:37:38,122 AND YET MY MOTHER WAS TRYING TO FIND THEM. 439 00:37:38,122 --> 00:37:42,994 THE SCROLLS AND EVERYTHING ABOUT THE MAN... 440 00:37:42,994 --> 00:37:45,896 WHOSE FOOTSTEPS YOU NOW BOTH WALK IN. 441 00:37:45,896 --> 00:37:49,367 - I DON'T UNDERSTAND. - MANY BELIEVE THAT A HUNDRED YEARS AGO, 442 00:37:49,367 --> 00:37:53,871 THE CRYPT KEEPER OF THIS FACILITY FOUND THE VESPASIAN SCROLLS. 443 00:37:53,871 --> 00:37:57,808 IT IS SAID THAT HE PLANNED TO LEAVE CARTHIS WITH THEM, 444 00:37:57,808 --> 00:38:02,213 AND THEREFORE WAS MADE TO PAY A DEVASTATING PRICE FOR THIS BARGAIN WITH THE DEVIL. 445 00:38:02,213 --> 00:38:05,483 THAT NIGHT, BY HIS HAND, 446 00:38:05,483 --> 00:38:09,820 HIS ENTIRE FAMILY BURNED TO DEATH IN THEIR COTTAGE. 447 00:38:09,820 --> 00:38:14,125 - MY GOD. - HE LEFT THE ISLE THE NEXT MORN. 448 00:38:14,125 --> 00:38:16,427 AND WHAT ABOUT THE SCROLLS? 449 00:38:16,427 --> 00:38:20,164 NO ONE KNOWS FOR SURE WHERE THEY ARE-- 450 00:38:20,665 --> 00:38:22,466 OR FOR THAT MATTER, WHAT. 451 00:38:22,466 --> 00:38:26,737 SOME SAY THAT THEY ARE GOSPELS... 452 00:38:26,737 --> 00:38:28,706 WRITTEN IN THE HAND OF GOD. 453 00:38:30,941 --> 00:38:35,980 OTHERS, SCRIBBLINGS FROM THE PAW OF SATAN. 454 00:38:37,248 --> 00:38:41,185 WHATEVER THEY ARE, THEY CONTAIN A POWER... 455 00:38:41,185 --> 00:38:43,621 NO MAN SHOULD ENCOUNTER. 456 00:38:49,427 --> 00:38:53,597 MY MOTHER WAS ALSO SEARCHING FOR SOMETHING CALLED P-47. 457 00:38:53,597 --> 00:38:56,200 THE ISLAND IS PARCELED OUT IN NUMBERED PLOTS, 458 00:38:56,200 --> 00:38:59,603 ALL OF WHICH ARE REGISTERED AT THE MONASTERY ARCHIVES. 459 00:38:59,603 --> 00:39:02,173 COME, I'LL SHOW YOU. 460 00:39:05,109 --> 00:39:09,046 THE ANSWERS YOU SEARCH FOR ARE IN THAT BUILDING. COME ON. 461 00:39:09,046 --> 00:39:10,848 [ Girl Giggling ] 462 00:39:10,848 --> 00:39:12,983 IT'S IN THE CHAPEL. 463 00:39:15,186 --> 00:39:17,154 I'LL MEET YOU INSIDE! 464 00:39:17,154 --> 00:39:19,824 [ Jarod ] THE STORM IS GETTING WORSE. 465 00:39:19,824 --> 00:39:22,760 DON'T STAY OUT HERE TOO LONG. 466 00:39:25,429 --> 00:39:27,698 [ Broots ] MISS PARKER'S PULLED A VANISHING ACT, 467 00:39:27,698 --> 00:39:29,734 AND YOU'LL NEVER GUESS WHO SHE TALKED TO LAST. 468 00:39:34,138 --> 00:39:36,640 SEE? LOOK WHAT HE'S DRAWING, SYD-- 469 00:39:37,141 --> 00:39:39,643 THE SAME SYMBOL THAT JAROD WAS INVESTIGATING. 470 00:39:42,580 --> 00:39:47,151 - AND THOSE WORDS. - "TERRIBILIS EST LOCUS ISTE." 471 00:39:47,151 --> 00:39:49,954 THAT DOESN'T SOUND GOOD. WHAT'S IT MEAN? 472 00:39:49,954 --> 00:39:52,556 TERRIBLE THINGS HAPPEN HERE. 473 00:39:53,824 --> 00:39:55,726 [ Whispers ] GREAT. 474 00:40:12,977 --> 00:40:14,979 WHERE ARE YOU? 475 00:40:15,980 --> 00:40:18,215 [ Girl, Echoing ] IN THE CHAPEL. 476 00:40:24,989 --> 00:40:27,091 WHAT'S IN THE CHAPEL? 477 00:40:33,330 --> 00:40:35,032 WAIT! 478 00:40:49,079 --> 00:40:51,182 [ Gasps, Sighs ] IT'S ME. 479 00:40:51,182 --> 00:40:54,585 - WHERE IS SHE? - OCEE'S BACK AT THE COTTAGE. 480 00:40:54,585 --> 00:40:57,588 - NO, NOT OCEE. THE LITTLE GIRL. - LITTLE GIRL? 481 00:40:57,588 --> 00:41:00,925 [ Whispers ] YEAH. THERE'S NOBODY HERE BUT US. 482 00:41:00,925 --> 00:41:03,861 SHE WAS HERE, AND SHE LED ME TO THAT. 483 00:41:10,835 --> 00:41:12,837 MUST BE THE DOLL FROM THE BOX. 484 00:41:15,339 --> 00:41:18,609 - MAYBE YOUR MOTHER DROPPED IT WHEN SHE WAS SHOT. - OR SHE HID IT HERE. 485 00:41:18,609 --> 00:41:24,281 SHE MUST HAVE BEEN HERE SEARCHING FOR SOMETHING-- LIKE SHE WAS AT P-47. 486 00:41:24,281 --> 00:41:27,852 - DID YOU FIND OUT WHERE IT IS? - AND WHAT. 487 00:41:27,852 --> 00:41:31,322 IT'S THE COTTAGE WHERE THE CRYPT KEEPER MURDERED HIS FAMILY. 488 00:41:33,224 --> 00:41:35,726 LET'S GET OUT OF HERE. 489 00:41:43,801 --> 00:41:47,071 [ Miss Parker ] THERE IT IS-- P-47. 490 00:41:47,071 --> 00:41:49,740 OR WHAT'S LEFT OF IT. 491 00:41:52,076 --> 00:41:57,248 I'VE NEVER SEEN IT RAIN AND SNOW AT THE SAME TIME. WELL, IT IS THE DEVIL'S STORM. 492 00:42:00,384 --> 00:42:03,387 [ Children Screaming ] 493 00:42:03,387 --> 00:42:05,389 [ Girl ] NO! NO, DADDY, NO! 494 00:42:11,295 --> 00:42:13,364 [ Child Crying ] 495 00:42:14,365 --> 00:42:16,367 HOW COULD A MAN DESTROY HIS FAMILY... 496 00:42:16,367 --> 00:42:19,370 JUST FOR HIS PURSUIT OF GREED AND POWER? 497 00:42:19,370 --> 00:42:22,773 WHY DON'T YOU ASK YOUR FATHER THAT? 498 00:42:25,576 --> 00:42:27,978 [ Thunderclap ] 499 00:42:31,782 --> 00:42:34,518 WHAT IS IT? 500 00:42:34,518 --> 00:42:38,989 IT'S A MUDDY BOOT PRINT, JUST LIKE WE SAW IN THE CHAPEL-- 501 00:42:38,989 --> 00:42:41,392 AND IT'S FRESH. 502 00:42:43,093 --> 00:42:44,895 HEY! 503 00:42:47,831 --> 00:42:52,603 THERE'S NOTHING FOR YOU OVER THERE. IT'S OVER HERE. FOLLOW ME. 504 00:43:03,447 --> 00:43:05,449 WAIT, WAIT! 505 00:43:06,450 --> 00:43:08,953 [ Groans ] 506 00:43:08,953 --> 00:43:10,955 [ Grunting ] 507 00:43:18,829 --> 00:43:21,465 WAIT FOR ME! 508 00:43:21,465 --> 00:43:24,034 [ Thunderclap ] 509 00:43:34,244 --> 00:43:36,613 [ Gasps ] [ Jarod ] MISS PARKER! 510 00:43:36,613 --> 00:43:40,484 ARE YOU ALL RIGHT? WHAT'S WRONG? 511 00:43:40,484 --> 00:43:43,921 SHE LED ME HERE SO I'D KNOW WHERE I COME FROM! 512 00:43:43,921 --> 00:43:48,192 WHAT DO YOU MEAN? THE CRYPT KEEPER'S FAMILY! 513 00:43:54,164 --> 00:43:57,634 THEY'RE WHO I AM! 514 00:43:57,634 --> 00:43:59,570 [ Sobbing ] 515 00:44:04,174 --> 00:44:08,979 [ Girl ] NO, DADDY, NO! [ Crying ] 516 00:44:12,149 --> 00:44:15,619 BROTHER MENENICUS WAS RIGHT. THIS IS THE DEVIL'S STORM. 517 00:44:15,619 --> 00:44:17,888 YOU WERE LUCKY TO MAKE IT BACK ALIVE. 518 00:44:17,888 --> 00:44:20,391 IT'S NOT JUST THE STORM. 519 00:44:20,391 --> 00:44:22,393 WE'RE NOT ALONE HERE. 520 00:44:22,393 --> 00:44:26,397 YOU'RE SHIVERING. GIVE ME THOSE WET CLOTHES TO DRY. 521 00:44:27,665 --> 00:44:30,034 [ Thunderclap ] 522 00:44:30,534 --> 00:44:33,570 THEN MY FEELING WAS JUSTIFIED. 523 00:44:33,570 --> 00:44:39,109 - FEELING? - MY FEELING THAT THE ONLY GOODNESS LEFT ON THE ISLAND... 524 00:44:39,109 --> 00:44:41,378 IS THE CONNECTION BETWEEN YOU AND MISS PARKER. 525 00:44:44,415 --> 00:44:47,384 - NO, THANK YOU. - IT'S NOT FOR YOU. 526 00:44:49,219 --> 00:44:51,388 GO TO HER. 527 00:45:23,454 --> 00:45:28,058 IT'S NOT EXACTLY THE MONKS' BRANDY, BUT OCEE SAYS IT'S GOOD FOR EMOTIONAL UPHEAVAL. 528 00:45:28,058 --> 00:45:30,060 CAN SHE BACK A TRUCKLOAD OF IT UP TO MY HOUSE? 529 00:45:34,798 --> 00:45:37,301 LET THE STORM RAGE OUTSIDE, MISS PARKER, 530 00:45:37,301 --> 00:45:39,303 NOT INSIDE YOU. 531 00:45:39,303 --> 00:45:41,739 EASY FOR YOU TO SAY, JAROD. 532 00:45:41,739 --> 00:45:44,908 A GRAVEYARD FULL OF PARKERS BURNED TO DEATH BY THEIR FATHER, 533 00:45:44,908 --> 00:45:47,444 MY GREAT-GRANDFATHER, 534 00:45:47,444 --> 00:45:52,583 THE SAME YEAR THAT MY GREAT-GRANDFATHER ARRIVED, ALONE, AND FOUNDED THE CENTRE. 535 00:45:52,583 --> 00:45:55,285 GENERATION AFTER GENERATION, 536 00:45:56,620 --> 00:45:58,622 THAT EVIL... 537 00:46:00,624 --> 00:46:02,993 HAS BEEN PASSED DOWN TO ME. 538 00:46:02,993 --> 00:46:05,162 YOU KNOW WHO YOU ARE. 539 00:46:05,162 --> 00:46:09,600 I'M A PARKER. AND WITH EVERY NEW REVELATION IN MY LIFE, 540 00:46:09,600 --> 00:46:12,603 MY FAMILY PORTRAIT BECOMES... 541 00:46:12,603 --> 00:46:14,905 A MORE HIDEOUS PICTURE. 542 00:46:32,990 --> 00:46:34,992 DO YOU REMEMBER WHEN WE WERE KIDS, 543 00:46:34,992 --> 00:46:37,961 THAT NIGHT THAT I SNUCK YOU INTO MY FATHER'S OFFICE? 544 00:46:40,464 --> 00:46:42,466 YOU SAID IF I WAS REALLY A GENIUS, 545 00:46:42,966 --> 00:46:45,469 I WOULD BE ABLE TO FIGURE OUT WHERE YOUR FATHER HID THE PRESENT... 546 00:46:45,469 --> 00:46:47,471 HE BOUGHT YOU ON HIS BUSINESS TRIP. 547 00:46:47,471 --> 00:46:50,974 AND LATER YOU FOUND IT EXACTLY WHERE I SAID IT WOULD BE. 548 00:46:50,974 --> 00:46:53,277 YEAH. ONLY IT WASN'T. 549 00:46:53,277 --> 00:46:56,313 I JUST TOLD YOU THAT IT WAS BECAUSE I WAS SO DISAPPOINTED. 550 00:46:56,313 --> 00:46:59,049 MY FATHER LIED ABOUT BUYING IT. 551 00:46:59,049 --> 00:47:02,486 THE PATHETIC PART IS THAT I'VE BEEN... 552 00:47:02,486 --> 00:47:04,922 SEARCHING FOR THAT GIFT FROM DADDY EVER SINCE. 553 00:47:04,922 --> 00:47:08,192 YOUR FATHER, THE CENTRE-- 554 00:47:08,192 --> 00:47:10,027 MANIPULATION IS WHAT THEY DO. 555 00:47:10,527 --> 00:47:13,063 THE ONLY PRESENT THEY EVER LEFT US WITH WAS... 556 00:47:14,064 --> 00:47:15,966 EMPTINESS. 557 00:47:15,966 --> 00:47:21,572 ALL THOSE PARKER GRAVES OUT THERE GO WAY BEYOND EMPTY. 558 00:47:21,572 --> 00:47:23,407 WHICH BRINGS ME BACK TO WONDERING-- 559 00:47:23,407 --> 00:47:26,310 WHO IT IS YOU REALLY ARE? 560 00:47:30,247 --> 00:47:33,884 I DON'T KNOW NOW IF I REALLY EVER WANNA KNOW. 561 00:47:34,384 --> 00:47:37,888 YES. YES, YOU DO. 562 00:47:50,534 --> 00:47:55,105 THE CENTRE WANTS US TO BELIEVE THAT FINDING THE TRUTH IS A MISTAKE, 563 00:47:55,606 --> 00:47:58,141 THAT LOOKING FOR ANSWERS ABOUT WHO WE REALLY ARE IS FUTILE... 564 00:47:58,141 --> 00:48:02,079 AND FINDING ANY KIND OF CONNECTION... 565 00:48:04,081 --> 00:48:06,083 OUTSIDE THEIR CONTROL IS WRONG. 566 00:48:07,551 --> 00:48:10,554 I KNOW YOU DON'T WANT TO HEAR THIS, BUT YOU CAN FEEL IT. 567 00:48:11,054 --> 00:48:14,258 YOU'VE BEEN A CENTRE PRISONER ALL THESE YEARS, JUST LIKE ME. 568 00:48:15,759 --> 00:48:18,762 AND WITH EVERY DISCOVERY, YOU FIND YOU-- 569 00:48:19,763 --> 00:48:22,266 YOU'RE EVERY BIT THE OUTCAST. 570 00:48:25,569 --> 00:48:27,437 JUST LIKE ME. 571 00:48:28,772 --> 00:48:32,276 WHY IS IT THAT THE ONE PERSON... 572 00:48:32,276 --> 00:48:37,180 THAT I'VE BEEN TRAINED TO DISTRUST, TO HATE, 573 00:48:38,548 --> 00:48:40,350 TO CAPTURE... 574 00:48:40,350 --> 00:48:42,619 IS ALWAYS WITH ME... 575 00:48:44,621 --> 00:48:47,591 DURING THE MOST DIFFICULT MOMENTS OF MY LIFE. 576 00:48:47,591 --> 00:48:49,993 MAYBE... 577 00:48:51,995 --> 00:48:53,997 IT'S SUPPOSED TO BE THAT WAY. 578 00:49:08,779 --> 00:49:11,248 I DON'T WANT TO INTERRUPT. 579 00:49:11,248 --> 00:49:13,784 WOULD ANYONE CARE FOR MORE TEA? 580 00:49:17,287 --> 00:49:21,191 [ Clears Throat ] OCEE, PLEASE LET ME HELP YOU. 581 00:49:22,626 --> 00:49:24,127 THANK YOU. 582 00:49:32,970 --> 00:49:35,172 IT'S HER! WHO? 583 00:49:38,675 --> 00:49:43,246 - IT'S THE LITTLE GIRL THAT LED ME TO THE CHAPEL. - CANNOT BE THAT LITTLE GIRL. 584 00:49:43,246 --> 00:49:45,882 IT IS HER. AND SHE'S HOLDING THE DOLL. 585 00:49:45,882 --> 00:49:49,987 IMPOSSIBLE. THIS LITTLE GIRL IS THE CRYPT KEEPER'S DAUGHTER. 586 00:49:50,487 --> 00:49:52,923 SHE'S BEEN DEAD A HUNDRED YEARS. 587 00:50:00,630 --> 00:50:02,966 SYD, I'M WORRIED ABOUT MISS PARKER. 588 00:50:02,966 --> 00:50:06,870 ME TOO. I'M AFRAID THERE ARE NO ANSWERS TO HER WHEREABOUTS HERE. 589 00:50:06,870 --> 00:50:09,139 HER HOUSE EITHER. 590 00:50:09,139 --> 00:50:11,041 I INVITED MYSELF IN THROUGH THE BATHROOM WINDOW. 591 00:50:11,041 --> 00:50:13,477 BUT GET THIS. 592 00:50:13,977 --> 00:50:16,413 I WASN'T THE ONLY ONE WHO'D BROKEN INTO HER HOUSE LOOKING FOR HER. 593 00:50:16,413 --> 00:50:19,916 SOMEBODY BESIDES US IS DAMN INTERESTED IN FINDING HER TOO. 594 00:50:21,418 --> 00:50:23,253 I WONDER WHERE SHE IS. 595 00:50:24,054 --> 00:50:27,024 [ Tapping ] 596 00:50:27,024 --> 00:50:29,926 - ANGELO. - [ Mouthing Words ] 597 00:50:29,926 --> 00:50:32,796 WHAT'S HE TRYING TO TELL US? 598 00:50:32,796 --> 00:50:37,200 "TERRIBILIS EST LOCUS ISTE." 599 00:50:37,701 --> 00:50:39,603 TERRIBLE THINGS HAPPEN HERE. 600 00:50:39,603 --> 00:50:42,239 TERRIBLE THINGS HAPPEN WHERE? 601 00:50:45,442 --> 00:50:48,779 [ Broots ] "19-240-86." 602 00:50:51,181 --> 00:50:54,117 WHAT'S IT MEAN, ANGELO? ALL ABOUT THE PARKERS. 603 00:50:54,117 --> 00:50:56,486 TRUTH ABOUT THE PARKERS. 604 00:51:00,190 --> 00:51:01,691 TERRIBLE THINGS. 605 00:51:05,695 --> 00:51:10,133 THIS SKETCH, THE SELF-PORTRAIT OF THE LITTLE PARKER GIRL-- 606 00:51:10,133 --> 00:51:12,569 SHE GAVE IT TO THE PRIEST FROM THE CHAPEL, 607 00:51:12,569 --> 00:51:15,338 FATHER THEO, ON THE DAY SHE DIED. 608 00:51:15,338 --> 00:51:18,875 - WHAT A TRAGEDY. - OH, YES. THEIRS AND HIS. 609 00:51:18,875 --> 00:51:21,244 HIS? 610 00:51:21,244 --> 00:51:25,415 THE NIGHT THE CRYPT KEEPER'S FAMILY BURNED TO DEATH, FATHER THEO ALSO DIED. 611 00:51:25,415 --> 00:51:27,918 A MYSTERIOUS ACCIDENT. 612 00:51:27,918 --> 00:51:30,921 HE SUPPOSEDLY FELL FROM THE CHAPEL BALCONY. 613 00:51:30,921 --> 00:51:34,424 MY FATHER WAS A GOOD FRIEND OF FATHER THEO'S. 614 00:51:34,424 --> 00:51:36,827 HE GOT ALL HIS PERSONAL ITEMS, 615 00:51:36,827 --> 00:51:38,829 INCLUDING THIS SKETCH OF ANGEL, 616 00:51:38,829 --> 00:51:41,264 WHICH HE WAS CLUTCHING IN HIS HANDS WHEN HE DIED. 617 00:51:41,264 --> 00:51:43,900 DID YOU JUST CALL HER ANGEL? 618 00:51:43,900 --> 00:51:47,804 THAT'S WHAT HER FATHER CALLED HER. DOES THAT MEAN SOMETHING TO YOU? 619 00:51:50,440 --> 00:51:52,576 EVERYTHING MEANS SOMETHING. 620 00:51:57,047 --> 00:52:01,184 IF FATHER THEO WAS CLUTCHING THIS WHEN HE DIED, THAT MEANS SOMETHING TOO. 621 00:52:01,184 --> 00:52:03,987 WE NEED TO FIND OUT EVERYTHING WE CAN ABOUT FATHER THEO. 622 00:52:03,987 --> 00:52:06,256 ALL HIS BELONGINGS ARE IN THE ARCHIVE CHAMBER. 623 00:52:09,426 --> 00:52:12,429 EVIL SCROLLS, GHOSTS, 624 00:52:12,429 --> 00:52:14,965 [ Thunderclap ] A LITTLE FAMILY ARSON. 625 00:52:14,965 --> 00:52:17,968 ALL A PERFECT PARKER FIT. 626 00:52:18,969 --> 00:52:21,972 CALL ME CRAZY, BUT I'M READY TO BELIEVE IN CURSES. 627 00:52:22,472 --> 00:52:24,274 WELL, CURSED OR NOT, THE SCROLLS... 628 00:52:24,274 --> 00:52:28,545 HAVE ENOUGH SO-CALLED VALUE THAT OUR MOTHERS ARE WILLING TO RISK THEIR LIVES TO FIND THEM. 629 00:52:31,848 --> 00:52:34,417 HERE'S FATHER THEO'S CHEST, 630 00:52:34,417 --> 00:52:37,020 JUST WHERE OCEE SAID IT WOULD BE. 631 00:52:41,958 --> 00:52:43,827 MEET FATHER THEO. 632 00:52:47,063 --> 00:52:50,200 HUMBLE BELONGINGS OF A HUMBLE MAN. 633 00:52:50,200 --> 00:52:52,435 AND A DEAD END. 634 00:52:54,371 --> 00:52:57,607 - MAYBE. AND MAYBE NOT. - WHAT? 635 00:52:57,607 --> 00:53:01,244 YOU SEE HOW THE BINDING IS LOOSE IN THE PHOTO HERE? 636 00:53:02,245 --> 00:53:04,748 BUT IT'S BEEN RE-STITCHED HERE. 637 00:53:10,086 --> 00:53:11,922 [ Thunder Rumbling ] 638 00:53:23,066 --> 00:53:26,903 IT'S A LETTER THAT FATHER THEO WROTE TO HIS BISHOP IN GLASGOW. 639 00:53:26,903 --> 00:53:29,839 AND IT'S DATED THE DAY FATHER THEO DIED. 640 00:53:29,839 --> 00:53:34,044 "BLESS ME, YOUR HOLINESS, FOR I BREAK THE SANCTITY OF THE CONFESSIONAL... 641 00:53:34,044 --> 00:53:36,279 "AS I COMMIT THESE WORDS TO PAPER. 642 00:53:36,279 --> 00:53:39,749 THIS EVE, THE DAUGHTER OF THE LOCAL CRYPT KEEPER"-- 643 00:53:39,749 --> 00:53:43,753 [ Theo's Voice ] SPOKE WORDS OF SUCH TERROR THAT THE QUILL QUIVERS IN MY HAND AS I WRITE. 644 00:53:43,753 --> 00:53:49,259 HER FATHER, SHE CLAIMS, DISCOVERED AND STOLE THE LONG SOUGHT-AFTER SCROLLS OF VESPA. 645 00:53:49,759 --> 00:53:54,764 THE DEMONS HAVE NOW TURNED THIS ONCE LOVING MAN INTO A TORMENTED SOUL. 646 00:53:54,764 --> 00:53:57,667 IN TRYING TO SAVE HIM FROM ETERNAL DAMNATION, 647 00:53:57,667 --> 00:54:01,538 SHE TOOK AND RE-HID THE SCROLLS, ALONG WITH THREE OTHER ITEMS-- 648 00:54:01,538 --> 00:54:04,908 A LEATHER POUCH, A PORCELAIN DOLL... 649 00:54:04,908 --> 00:54:07,410 AND AN EERILY ACCURATE SELF-PORTRAIT. 650 00:54:07,911 --> 00:54:10,247 SHE SAID THEY WERE TO REMEMBER HER BY, 651 00:54:10,247 --> 00:54:14,751 AS IF SHE HAD REALIZED HER TIME UPON THIS EARTH WAS NEARING ITS END. 652 00:54:15,085 --> 00:54:19,589 HER WORDS REGARDING THE SCROLLS TERRIFIED ME, YOUR HOLINESS. 653 00:54:19,589 --> 00:54:22,092 [ Miss Parker ] "WHILE SHE TOLD ME THE LOCATION OF THE SCROLLS, 654 00:54:22,092 --> 00:54:25,462 SHE HOLDS THE KEY TO FINDING THEM STILL." 655 00:54:25,462 --> 00:54:27,797 IT'S UNFINISHED. 656 00:54:27,797 --> 00:54:29,733 HE MUST HAVE BEEN INTERRUPTED WHILE HE WROTE THIS. 657 00:54:31,635 --> 00:54:35,138 AND HID IT IN THIS BIBLE SO IT WOULDN'T FALL INTO THE WRONG HANDS. 658 00:54:35,138 --> 00:54:37,607 MY GREAT-GRANDFATHER MUST HAVE DISCOVERED... 659 00:54:37,607 --> 00:54:40,610 THAT HIS LITTLE GIRL HAD CONFESSED TO FATHER THEO... 660 00:54:41,111 --> 00:54:44,247 AND KILLED HIM TRYING TO FIND THE SCROLLS. 661 00:54:45,749 --> 00:54:50,320 [ Sighs ] SHE TRIED TO SAVE HER FATHER FROM HIS OWN DEMONS, 662 00:54:50,320 --> 00:54:52,222 KNOWING IT WOULD COST HER HER LIFE. 663 00:54:52,222 --> 00:54:54,090 [ Jarod ] FATHER THEO WRITES, 664 00:54:54,591 --> 00:54:58,328 "SHE HOLDS THE KEY TO FINDING THE SCROLLS STILL." 665 00:54:58,328 --> 00:55:00,630 "SHE HOLDS THE KEY." 666 00:55:05,835 --> 00:55:07,604 NOT HER. 667 00:55:10,073 --> 00:55:12,976 YOUR GREAT-GRANDFATHER MUST HAVE BROUGHT THIS TO AMERICA, 668 00:55:13,476 --> 00:55:16,479 AND MY MOTHER BROUGHT IT BACK WITH HER FOR HER SEARCH. 669 00:55:16,479 --> 00:55:19,616 "SHEHOLDS THE KEY." 670 00:55:26,189 --> 00:55:28,191 FATHER THEO HID THE SCROLLS... 671 00:55:28,191 --> 00:55:31,194 AND PUT THE KEY TO FINDING THEM INSIDE HER DOLL. 672 00:55:32,195 --> 00:55:34,097 AND I KNOW WHAT IT OPENS. 673 00:55:40,203 --> 00:55:42,138 [ Broots ] I FIGURED OUT WHAT THE NUMBERS MEANT-- 674 00:55:42,138 --> 00:55:45,008 THE ONES THAT ANGELO WROTE. 675 00:55:45,008 --> 00:55:47,510 NINETEEN-- SL 19. 240-- ROOM 240. 676 00:55:47,510 --> 00:55:49,512 EIGHTY-SIX-- LOCK BOX NUMBER 86. 677 00:55:49,512 --> 00:55:52,515 SO I BROKE IN, AND I FOUND THIS. 678 00:55:53,016 --> 00:55:54,517 MEDICAL RECORDS. 679 00:55:54,517 --> 00:55:56,519 [ Broots ] AND A DEATH CERTIFICATE... 680 00:55:57,020 --> 00:55:58,888 AND ADOPTION PAPERS AND A BIRTH CERTIFICATE. 681 00:55:58,888 --> 00:56:02,659 ALL ISSUED WITHIN THREE DAYS OF EACH OTHER, ALL IN THE PARKER FAMILY NAME. 682 00:56:02,659 --> 00:56:04,761 IT SEEMS MR. PARKER HAD A BROTHER. 683 00:56:04,761 --> 00:56:06,863 HIS NAME WAS ABEL PARKER. ALMOST DIED AT BIRTH. 684 00:56:06,863 --> 00:56:09,532 THEN SPENT THREE SICKLY DAYS IN AN INCUBATOR. 685 00:56:09,532 --> 00:56:12,869 A RUSHED ADOPTION WAS ARRANGED, AND THE BABY WAS SENT OFF. AND THIS-- 686 00:56:12,869 --> 00:56:15,772 I CAN'T EVEN BELIEVE THIS. 687 00:56:15,772 --> 00:56:20,143 MR. PARKER'S FATHER BOUGHT AND PAID FOR A BOGUS DEATH CERTIFICATE. 688 00:56:20,143 --> 00:56:22,846 ALL IN THE NAME OF ABEL PARKER. 689 00:56:22,846 --> 00:56:25,715 LIKE THE BABY DIDN'T EVEN EXIST. 690 00:56:26,216 --> 00:56:30,086 LIKE-- LIKE THE WEAK LIMB OF THE PARKER FAMILY TREE WAS JUST CUT OFF. 691 00:56:30,086 --> 00:56:33,790 - IT'S UNBELIEVABLE, BROOTS. - NO, NO. YOU HAVEN'T SEEN NOTHIN' YET. 692 00:56:34,290 --> 00:56:37,026 LOOK AT THE NAME OF THE FAMILY THAT ADOPTED THE BABY. 693 00:56:38,528 --> 00:56:40,497 "RAINES." AM I CRAZY, 694 00:56:40,497 --> 00:56:43,900 OR DOES THIS MEAN THAT MR. RAINES IS REALLY-- 695 00:56:43,900 --> 00:56:45,902 MR. PARKER'S BROTHER. 696 00:56:48,405 --> 00:56:50,473 [ Wind Gusting ] [ Door Opens ] 697 00:56:50,473 --> 00:56:52,642 -[ Thunderclap ] - SO WHAT DOES THE KEY FIT? 698 00:56:52,642 --> 00:56:55,211 UNDER THE ALTAR OF EVERY CATHOLIC CHURCH THERE'S A SECRET CHAMBER... 699 00:56:55,712 --> 00:56:58,715 THAT HIDES THE RELICS OF THAT CHURCH'S PATRON SAINT. 700 00:57:11,494 --> 00:57:13,630 HERE GOES NOTHING. 701 00:57:26,743 --> 00:57:28,578 - ANGEL'S LEATHER POUCH. -[ Menenicus ] I'LL TAKE THAT. 702 00:57:32,182 --> 00:57:34,184 - BROTHER MENENICUS. - GIVE ME THE POUCH. 703 00:57:44,260 --> 00:57:46,529 [ Thunderclap ] 704 00:57:53,603 --> 00:57:55,939 [ Clattering ] 705 00:58:10,653 --> 00:58:13,323 TELL ME SOMETHING, BROTHER. 706 00:58:13,323 --> 00:58:15,325 WHY DIDN'T YOU LEAVE THE ISLE? 707 00:58:15,325 --> 00:58:17,494 TOO BUSY TRYIN' TO KILL MY MOTHER? 708 00:58:17,494 --> 00:58:20,363 TOO BUSY TRYIN' TO KEEP US FROM THE TRUTH? 709 00:58:20,363 --> 00:58:23,132 IN 700 YEARS THERE HAS ALWAYS BEEN A VESPASIAN BROTHER... 710 00:58:23,500 --> 00:58:25,335 ON THIS ISLE PROTECTING THE SCROLLS. 711 00:58:25,335 --> 00:58:28,505 I WASN'T GOING TO BE THE ONE TO LEAVE THEM UNGUARDED. 712 00:58:28,505 --> 00:58:33,009 AS FOR YOUR MOTHER, I KNOW NOT OF WHAT YOU SPEAK. 713 00:58:33,009 --> 00:58:36,246 - DON'T YOU LIE TO ME! - THIS ISN'T ABOUT LIES. 714 00:58:36,246 --> 00:58:39,482 AND SINCE YOU WON'T GIVE ME THE POUCH, 715 00:58:40,683 --> 00:58:43,553 YOU CAN RETURN TO HELL WITH IT! 716 00:58:50,159 --> 00:58:51,895 [ Miss Parker ] HE'S LOCKED US IN, JAROD! 717 00:58:53,630 --> 00:58:57,567 THESE BARRELS ARE GONNA BLOW. THERE'S NO WAY OUT. 718 00:58:58,368 --> 00:59:00,837 THERE'S ONE. 719 00:59:00,837 --> 00:59:02,572 COME ON. 720 00:59:09,946 --> 00:59:13,616 - [ Grunts ] ARE YOU ALL RIGHT? - I'VE BEEN BETTER. 721 00:59:13,616 --> 00:59:15,485 [ Gunshot ] 722 00:59:15,485 --> 00:59:18,288 OCEE. COME ON. 723 00:59:18,788 --> 00:59:21,524 OCEE! 724 00:59:24,394 --> 00:59:27,864 OCEE, DID MENENICUS DO THIS? 725 00:59:27,864 --> 00:59:33,636 NO. DESTINY. JUST CURSE OF SCROLLS. 726 00:59:51,120 --> 00:59:52,855 [ Thunderclap ] 727 00:59:58,828 --> 01:00:01,197 ARE YOU ALL RIGHT? 728 01:00:03,866 --> 01:00:05,701 CONFUSED. 729 01:00:05,701 --> 01:00:09,372 DO YOU BELIEVE ABOUT WHAT OCEE SAID ABOUT THE SCROLLS BEING CURSED? 730 01:00:09,372 --> 01:00:11,774 IT DOESN'T MATTER WHAT I BELIEVE. 731 01:00:11,774 --> 01:00:15,478 TOO MANY PEOPLE ARE DYING TRYING TO FIND THEM. 732 01:00:22,118 --> 01:00:26,489 A DEMON, A SERPENT AND A CHERUB. 733 01:00:26,489 --> 01:00:28,491 AND THEY'RE ALL LOOKING AT SOMETHING. 734 01:00:28,491 --> 01:00:31,694 AND IT'S IN ANGEL'S HAND. IT'S HER SKETCH. 735 01:00:31,694 --> 01:00:35,131 NO, IT'S NOT JUST A SKETCH. 736 01:00:37,066 --> 01:00:40,837 IT'S A MAP. DIRECTIONS LEFT BY THE CRYPT KEEPER'S DAUGHTER... 737 01:00:40,837 --> 01:00:42,805 TO TELL US WHERE SHE RE-HID THE SCROLLS. 738 01:00:42,805 --> 01:00:45,007 BUT WHAT IS SHE TELLING US? 739 01:00:45,007 --> 01:00:48,878 THAT THEY KNOW WHERE IT IS. THAT THEY CAN SEE IT. 740 01:00:48,878 --> 01:00:51,047 BUT WHERE ARE THEY? 741 01:00:52,882 --> 01:00:54,584 I KNOW WHERE ONE OF THEM IS. 742 01:00:54,584 --> 01:00:56,652 [ Thunderclap ] 743 01:01:00,156 --> 01:01:02,158 [ Jarod ] MEET THE DEMON ASMODAEUS. 744 01:01:02,158 --> 01:01:04,127 [ Miss Parker ] UGLY SON OF A BITCH. 745 01:01:04,127 --> 01:01:06,896 REMINDS ME OF RAINES. 746 01:01:06,896 --> 01:01:09,465 ALL HE'S STARING AT IS A BLANK WALL. 747 01:01:09,465 --> 01:01:11,734 PERHAPS. 748 01:01:25,081 --> 01:01:28,618 "I TEGO." WHAT'S IT MEAN? 749 01:01:28,618 --> 01:01:31,888 BY ITSELF, PROBABLY NOTHING. 750 01:01:31,888 --> 01:01:35,358 BUT MY GUESS IS THAT THE CHERUB AND THE SERPENT ARE BOTH LOOKING AT WORDS-- 751 01:01:36,759 --> 01:01:39,629 CLUES THAT MIGHT LEAD US TO THE SCROLLS. 752 01:01:41,931 --> 01:01:43,766 JAROD. 753 01:01:50,940 --> 01:01:54,744 - BROTHER MENENICUS. - SOMETHING TELLS ME HE'S NOT THE ONE WHO KILLED OCEE. 754 01:01:54,744 --> 01:01:58,481 SOMEONE DOESN'T WANT US TO FIND THE SCROLLS. YOU TAKE THE SERPENT. 755 01:01:58,481 --> 01:02:03,452 I'LL TAKE THE CHERUB. AND WATCH YOUR BACK. WE'RE DEFINITELY NOT ALONE. 756 01:02:18,134 --> 01:02:19,902 [ Girl Giggles ] 757 01:02:22,505 --> 01:02:24,840 HELLO. 758 01:02:39,622 --> 01:02:41,624 [ Thunderclap ] 759 01:02:56,806 --> 01:02:59,609 I CARVED IT MYSELF. 760 01:03:02,044 --> 01:03:03,913 IT'S BEAUTIFUL. 761 01:03:03,913 --> 01:03:07,149 I HOPE YOU FIND WHAT YOU'RE LOOKIN' FOR. 762 01:03:19,695 --> 01:03:22,465 THANK YOU, ANGEL. 763 01:03:25,468 --> 01:03:28,337 [ Crying ] 764 01:03:29,505 --> 01:03:32,808 PAPA'S THE ONLY ONE WHO CALLS ME ANGEL. 765 01:03:32,808 --> 01:03:35,144 MY FRIENDS CALL ME MISS PARKER. 766 01:04:04,273 --> 01:04:08,044 [ Gasps ] I FOUND WHAT THE ANGEL WAS LOOKING AT. 767 01:04:08,044 --> 01:04:09,912 THE WORD"ARCANA." 768 01:04:09,912 --> 01:04:14,050 THE SERPENT IS LOOKING AT"DEI." 769 01:04:14,050 --> 01:04:16,352 "I TEGO ARCANA DEI." 770 01:04:16,352 --> 01:04:20,356 BUT THERE'S NO BOX THAT THE FIGURES ARE LOOKING AT WITH THOSE WORDS ON IT. 771 01:04:20,356 --> 01:04:22,258 YES. THERE'S ONE. 772 01:04:25,094 --> 01:04:27,997 [ Broots ] I GOT A BAD FEELING ABOUT THIS. [ Sydney ] ABOUT WHAT? 773 01:04:27,997 --> 01:04:30,366 I WAS PASSING BY THE INFIRMARY. THAT'S WHEN I SAW IT. 774 01:04:30,366 --> 01:04:33,903 YOU SAW WHAT? NOTHING. NO ONE. NADA! 775 01:04:33,903 --> 01:04:35,905 BROOTS, WHAT ARE YOU TALKING ABOUT? 776 01:04:35,905 --> 01:04:38,774 LOOK AROUND. ADAMA, THE TRIUMVIRATE MUSCLE, 777 01:04:38,774 --> 01:04:41,277 MR. LYLE, MR. PARKER-- THEY'RE ALL GONE. 778 01:04:41,777 --> 01:04:43,779 THEY VANISHED JUST LIKE MISS PARKER. 779 01:04:48,517 --> 01:04:50,986 CALL HER CELL PHONE EVERY FIVE MINUTES IF YOU HAVE TO. 780 01:04:51,487 --> 01:04:53,989 I DON'T KNOW WHAT ANY OF THIS MEANS, 781 01:04:53,989 --> 01:04:55,891 BUT WE'VE GOTTA FIND HER. [ Cell Phone Beeping ] 782 01:05:11,240 --> 01:05:13,609 [ Miss Parker ] "I TEGO ARCANA DEI." 783 01:05:14,910 --> 01:05:16,912 WHAT'S IT MEAN? 784 01:05:16,912 --> 01:05:22,418 BEGONE, FOR I CONCEAL THE SECRETS OF GOD. 785 01:05:25,221 --> 01:05:27,957 [ Miss Parker ] LET'S SEE WHAT SECRETS GOD HAS FOR US. 786 01:06:02,691 --> 01:06:05,795 - THAT MUST BE BROTHER VESPUS. - AND THESE... 787 01:06:07,096 --> 01:06:09,131 MUST BE THE SCROLLS. 788 01:06:09,131 --> 01:06:12,868 [ Brother Rinaldus ] AYE. OUR SCROLLS. 789 01:06:14,136 --> 01:06:16,939 WE KNEW YOU COULD FIND WHAT WE WERE NEVER ABLE TO. 790 01:06:16,939 --> 01:06:21,243 YOU MUST BE THE ONE THAT KILLED OCEE AND BROTHER MENENICUS. 791 01:06:21,243 --> 01:06:23,479 AND YOU'RE THE ONE WHO TRIED TO KILL MY MOTHER. 792 01:06:23,479 --> 01:06:25,848 ACTS THAT ARE DONE FOR GOD'S GOOD WORKS... 793 01:06:26,348 --> 01:06:28,717 SHALL ALWAYS REMAIN ACTS OF PIETY. 794 01:06:28,717 --> 01:06:31,954 AND NOW, GIVE ME THOSE SCROLLS. 795 01:06:35,424 --> 01:06:37,226 [ Gunshot ] [ Groans ] 796 01:06:43,899 --> 01:06:47,670 - DADDY? - SURE AS HELL NOT SANTA CLAUS. 797 01:06:49,071 --> 01:06:52,074 BROTHER RINALDUS HAS BEEN MY FAITHFUL SERVANT FOR YEARS. 798 01:06:52,074 --> 01:06:54,410 BUT GOD DOES NOT FORGIVE... 799 01:06:54,410 --> 01:06:57,713 ACTS OF AGGRESSION AGAINST ONE'S MOTHER. 800 01:06:57,713 --> 01:06:59,648 NEITHER DO I, RIGHT, ANGEL? 801 01:06:59,648 --> 01:07:04,220 NOW I CAN RADIO ADAMA WE HAVE THE SCROLLS... 802 01:07:04,220 --> 01:07:06,388 AND JAROD. 803 01:07:08,691 --> 01:07:11,193 LONG LIVE THE CENTRE. 804 01:07:20,469 --> 01:07:23,839 [ Sydney ] I'VE SEEN SOME BIZARRE THINGS IN MY TIME, BUT NOTHING TO COMPARE WITH THIS. 805 01:07:23,839 --> 01:07:26,642 WHAT IS IT, SYD? 806 01:07:26,642 --> 01:07:30,145 MR. PARKER'S GENETIC TEST RESULTS. 807 01:07:30,145 --> 01:07:33,148 SO IS MR. PARKER REALLY HER FATHER? 808 01:07:33,649 --> 01:07:35,651 OH, MY GOD. 809 01:07:35,651 --> 01:07:37,653 SYD, I DON'T BELIEVE THIS. 810 01:08:08,350 --> 01:08:10,152 [ Adama ] FINALLY. 811 01:08:11,820 --> 01:08:14,557 ADAMA, YOU KNOW A PARKER NEVER BREAKS HIS PROMISE, 812 01:08:14,557 --> 01:08:17,026 ESPECIALLY WHEN IT CONCERNS THE SCROLLS. 813 01:08:17,026 --> 01:08:21,564 I LOOK FORWARD TO COMMUNICATING MY PLEASURE TO MY SUPERIORS IN AFRICA, ONCE IN FLIGHT. 814 01:08:34,910 --> 01:08:38,714 I CAN'T HELP BUT TO IMAGINE OUR MOTHERS HOLDING THAT BOX INSTEAD OF THEM. 815 01:08:38,714 --> 01:08:42,017 AND I CAN'T HELP BUT TO IMAGINE A DIFFERENT ENDING TO ALL OF THIS. 816 01:08:42,017 --> 01:08:44,753 WHAT AM I SUPPOSED TO DO, JAROD? 817 01:08:44,753 --> 01:08:48,057 ONLY YOU CAN ANSWER THAT. I JUST HATE TO SEE ANYONE MISS A TURNING POINT... 818 01:08:48,057 --> 01:08:50,025 WHEN ONE IS STARING THEM RIGHT IN THE FACE. 819 01:08:52,461 --> 01:08:54,263 AND I SUPPOSE YOU'RE GONNA OPEN MY EYES? 820 01:08:54,263 --> 01:08:55,998 NO, YOU DON'T NEED ME TO DO THAT. 821 01:08:55,998 --> 01:09:00,636 ONLY YOU CAN DECIDE FOR YOURSELF WHETHER OR NOT TO TAKE A HARD LOOK AT YOUR LIFE... 822 01:09:02,137 --> 01:09:04,006 THE WAY YOUR MOTHER ONCE DID. 823 01:09:04,006 --> 01:09:07,710 LEAVE MY MOTHER OUT OF THIS, OKAY? 824 01:09:07,710 --> 01:09:09,912 I AM NOT HER. 825 01:09:09,912 --> 01:09:12,581 THEN WHO ARE YOU? 826 01:09:12,581 --> 01:09:15,250 YOUR FATHER? IS THE PARKER LEGACY... 827 01:09:15,250 --> 01:09:17,486 WHAT YOU WANT TO PASS ON TO YOUR CHILDREN? 828 01:09:20,823 --> 01:09:23,325 LOOK, WE'VE BEEN THROUGH A LOT TOGETHER, YOU AND ME. 829 01:09:25,828 --> 01:09:28,330 FROM WHEN WE WERE KIDS AT THE CENTRE... 830 01:09:29,832 --> 01:09:32,334 TO THE LAST COUPLE OF DAYS. 831 01:09:32,334 --> 01:09:35,304 I KNOW THAT RARELY OUR ALLEGIANCES ARE THE SAME, 832 01:09:35,304 --> 01:09:37,306 BUT I'VE ALWAYS FELT-- 833 01:09:42,778 --> 01:09:44,680 I'VE ALWAYS KNOWN... 834 01:09:45,180 --> 01:09:47,516 THAT THERE WAS SOMETHING MORE TO OUR LIVES THAN, 835 01:09:47,516 --> 01:09:49,685 I RUN AND YOU CHASE. 836 01:09:49,685 --> 01:09:54,657 MAYBE WE DO WHAT WE HAVE TO JUST TO GET BY IN THIS LIFE, JAROD. 837 01:09:54,657 --> 01:09:58,160 MAYBE WE BOTH DESERVE SOMETHING MORE. 838 01:09:58,160 --> 01:10:00,095 JUST-- 839 01:10:01,597 --> 01:10:04,400 JUST FORGET WHAT HAPPENED ON THAT ISLAND. 840 01:10:04,400 --> 01:10:07,636 FORGET THAT MOMENT OF WEAKNESS. TURNING POINTS ONLY COME... 841 01:10:07,636 --> 01:10:10,506 WHEN YOU'VE GOT SOMETHING TO TURN TO. 842 01:10:26,687 --> 01:10:31,359 I'M SORRY THIS ISN'T THE DIFFERENT ENDING YOU WERE LOOKING FOR. 843 01:10:33,694 --> 01:10:36,464 BUT IT'S JUST THE WAY THE DAMN STORY GOES, JAROD. 844 01:10:58,019 --> 01:11:00,488 THAT'S THE WONDERFUL THING ABOUT LIFE, MISS PARKER. 845 01:11:00,488 --> 01:11:04,725 IF YOU CHANGE THE STORY, THE ENDING IS UP TO YOU. 846 01:11:12,500 --> 01:11:14,168 LET'S GO, DADDY. HOLD IT. 847 01:11:14,168 --> 01:11:16,437 YOU'RE NOT GOING ON THIS FLIGHT. 848 01:11:16,437 --> 01:11:18,639 - WHAT? - NOW DON'T GET ALL BENT OUT OF SHAPE. 849 01:11:18,639 --> 01:11:22,310 I'LL EXPLAIN EVERYTHING TO YOU BACK IN BLUE COVE. 850 01:11:22,310 --> 01:11:27,048 BUT, DADDY, THE LAST TIME THAT I SAW YOU, YOU WERE IN A CATATONIC STUPOR. AND-- 851 01:11:27,048 --> 01:11:29,717 THAT WAS JUST SOMETHING I COOKED UP WITH RAINES AND LYLE... 852 01:11:29,717 --> 01:11:33,087 TO KEEP THE AFRICANS SNIFFING UP THE WRONG FLAGPOLE... 853 01:11:33,087 --> 01:11:35,957 WHILE YOU AND JAROD FOUND THE PRIZE. 854 01:11:35,957 --> 01:11:37,725 DADDY, IS IT TRUE? 855 01:11:38,226 --> 01:11:40,728 THE PARKER THAT FOUND THE SCROLLS-- IS THAT MY GREAT-GRANDFATHER? 856 01:11:40,728 --> 01:11:44,198 AND WHAT ABOUT THE SCROLLS? IS IT TRUE THAT THEY HOLD SOME KIND OF POWER? 857 01:11:44,198 --> 01:11:48,936 NOT NOW. WE'LL SORT EVERYTHING OUT BACK AT THE CENTRE. THAT'S FINAL. 858 01:11:48,936 --> 01:11:53,040 JUST TAKE A COUPLE OF DAYS AT THE LONDON HOUSE. IT'LL DO YOU GOOD. 859 01:11:56,811 --> 01:11:59,947 [ Cell Phone Ringing ] 860 01:12:03,584 --> 01:12:06,921 [ Miss Parker ] HELLO? PARKER, THANK GOD. 861 01:12:07,421 --> 01:12:09,891 IT'S US, MISS PARKER. WE'VE BEEN SO WORRIED ABOUT-- 862 01:12:09,891 --> 01:12:13,427 - DID YOU JUST SAY HELLO? - WHAT, BROOTS? 863 01:12:13,427 --> 01:12:16,631 WE'VE BEEN TRYIN' TO GET IN TOUCH WITH YOU FOR DAYS. WHERE HAVE YOU BEEN? 864 01:12:16,631 --> 01:12:18,799 [ Miss Parker ] SOMEWHERE BETWEEN HELL AND A TURNING POINT. 865 01:12:18,799 --> 01:12:22,103 NO, THIS IS HELL, TRUST ME. AND IT'S GETTING HOTTER BY THE SECOND. 866 01:12:22,103 --> 01:12:24,772 DID YOU FIND MY FATHER'S BLOOD SAMPLE? 867 01:12:24,772 --> 01:12:28,409 BLOOD? NO. THE ONLY SAMPLE WE GOT WAS SEMEN. [ Clears Throat ] 868 01:12:28,409 --> 01:12:30,511 AND IS MY FATHER MY FATHER? 869 01:12:30,511 --> 01:12:34,282 THE GENETIC LAB DID DETECT PATTERN SIMILARITY, SO TECHNICALLY, 870 01:12:34,282 --> 01:12:36,784 YOU AND YOUR FATHER COULD BE A MATCH. 871 01:12:36,784 --> 01:12:40,788 "TECHNICALLY" WAS HARDLY THE ROUSING ENDORSEMENT I WAS HOPING FOR. 872 01:12:40,788 --> 01:12:45,192 WELL, SEE, THE-- THE THING IS, IS THAT, UH, 873 01:12:45,192 --> 01:12:48,095 YOUR FATHER'S... SODA... 874 01:12:48,095 --> 01:12:51,065 SEEMS TO BE FLAT. 875 01:12:51,065 --> 01:12:53,434 SYDNEY, WHAT IS HE TALKING ABOUT? 876 01:12:53,434 --> 01:12:56,804 THE SAMPLE OF MR. PARKER'S SPERM COUNT WAS SO LOW, HE'S VIRTUALLY STERILE. 877 01:12:56,804 --> 01:13:00,541 SO THE PROBABILITY OF HIM SIRING AN OFFSPRING-- 878 01:13:01,042 --> 01:13:02,843 THAT PROBABILITY IS SMALL. 879 01:13:02,843 --> 01:13:07,782 - HOW SMALL? - THE ODDS AGAINST HIS ABILITY TO EVER BE A FATHER... 880 01:13:07,782 --> 01:13:11,352 WERE PUT AT, UH, ONE IN 10. 881 01:13:11,352 --> 01:13:15,389 WELL, HOW COULD HE BE A GENETIC MATCH AND NOT BE MY FATHER? 882 01:13:15,389 --> 01:13:17,658 WELL, UH, THE-- THE ONLY BIOLOGICAL EXPLANATION IS-- 883 01:13:17,658 --> 01:13:21,729 IS THAT YOUR FATHER COULD ACTUALLY, UH, BE YOUR UNCLE. 884 01:13:21,729 --> 01:13:23,564 I DON'T HAVE AN UNCLE. 885 01:13:24,065 --> 01:13:27,435 PARKER, THERE WERE FURTHER REVELATIONS. 886 01:13:27,435 --> 01:13:30,805 WE FOUND RECORDS, UH, THINGS THAT TELL US THAT YOUR FATHER ACTUALLY, UH, 887 01:13:30,805 --> 01:13:33,607 DID HAVE A BROTHER WHO WAS GIVEN UP FOR ADOPTION... 888 01:13:33,607 --> 01:13:35,676 THREE DAYS AFTER HE WAS BORN. 889 01:13:35,676 --> 01:13:37,979 AND THE ADOPTING FAMILY WAS NAMED RAINES. 890 01:13:37,979 --> 01:13:41,182 ARE YOU TELLING ME THAT MR. RAINES COULD ACTUALLY BE MY FATHER? 891 01:13:46,153 --> 01:13:47,655 OH, I THINK I'M GONNA VOMIT. 892 01:13:58,065 --> 01:14:02,336 ADAMA HAS AUTHENTICATED THE SCROLLS WITH THE TRIUMVIRATE. 893 01:14:02,336 --> 01:14:05,840 HE'S THE HAPPIEST ZULU THIS SIDE OF ROMPALA. NO SURPRISE THERE. 894 01:14:07,208 --> 01:14:09,377 YEAH. 895 01:14:09,377 --> 01:14:12,513 I'VE HAD MY FILL OF SURPRISES TOO. 896 01:14:12,513 --> 01:14:16,017 LIKE THE ONE I JUST GOT ABOUT WHO MY REAL FATHER IS. 897 01:14:29,430 --> 01:14:31,799 - I'M STILL WAITING FOR MY ANSWER. - NOT NOW, ANGEL. 898 01:14:31,799 --> 01:14:34,535 DON'T "ANGEL" ME. 899 01:14:34,535 --> 01:14:37,838 I WANNA KNOW WHICH ONE OF YOU TWO IS MY REAL FATHER. 900 01:14:41,075 --> 01:14:42,843 NOW! 901 01:14:42,843 --> 01:14:46,614 WAIT, NOW. I DON'T KNOW WHAT THIS PATERNITY-SUIT THING IS ABOUT, 902 01:14:46,614 --> 01:14:49,750 BUT I DO KNOW THIS IS NOT THE TIME OR THE PLACE FOR IT. 903 01:14:49,750 --> 01:14:52,987 NOW, WHEN WE GET BACK TO BLUE COVE-- IF WE GET BACK-- 904 01:14:52,987 --> 01:14:54,955 WE CAN TALK ABOUT FAMILY MATTERS THEN. 905 01:14:54,955 --> 01:14:57,625 - WHAT DO YOU MEAN, "IF"? - ADAMA THINKS YOU'RE BAD LUCK. 906 01:14:57,625 --> 01:14:59,760 AND WE CERTAINLY DON'T WANT HIM TO BE SUSPICIOUS. 907 01:14:59,760 --> 01:15:02,730 SUSPICIOUS OF WHAT? [ Jarod ] YOU, MISS PARKER. 908 01:15:02,730 --> 01:15:06,567 YOUR BEING ON BOARD FOULS UP THEIR PLANS TO DOUBLE-CROSS ADAMA AND THE TRIUMVIRATE. 909 01:15:06,567 --> 01:15:09,503 YOU SEE, NOW THAT THE SCROLLS HAVE BEEN AUTHENTICATED, 910 01:15:09,503 --> 01:15:13,441 MR. LYLE AND YOUR FATHER-- OR, UH, SHOULD I SAY "FATHERS"-- 911 01:15:13,441 --> 01:15:16,777 ARE GOING TO PARACHUTE OUT OF HERE WITH THEIR PRIZED POSSESSIONS-- 912 01:15:16,777 --> 01:15:18,779 THE SCROLLS... 913 01:15:18,779 --> 01:15:21,115 AND ME. 914 01:15:21,115 --> 01:15:23,317 UNFORTUNATELY, I ONLY SEE FOUR PARACHUTES. 915 01:15:23,317 --> 01:15:27,088 AND YOU, MISS PARKER, MAKE... FIVE. 916 01:15:27,088 --> 01:15:30,458 WHAT'S THE ADVANTAGE OF BETRAYING THE TRIUMVIRATE? 917 01:15:30,458 --> 01:15:32,793 THE SUPPOSED POWER OF THE SO-CALLED PROPHECIES... 918 01:15:32,793 --> 01:15:35,563 HAVE BEEN LEVERAGE THE CENTRE'S BEEN USING FOR YEARS... 919 01:15:35,563 --> 01:15:37,832 TO KEEP THE TRIUMVIRATE AT BAY. 920 01:15:37,832 --> 01:15:40,668 YOU PEOPLE DON'T REALLY BELIEVE THOSE THINGS ARE REAL, NOW DO YOU? 921 01:15:40,668 --> 01:15:44,738 THE ONLY THING THAT REALLY MATTERS IS THAT THE ZULUS BELIEVE. 922 01:15:44,738 --> 01:15:49,310 SO IF THE SCROLLS BECOME IN THE POSSESSION OF THE TRIUMVIRATE IN AFRICA, 923 01:15:49,310 --> 01:15:52,146 THE CENTRE'S POWER BASE IS HISTORY. 924 01:15:52,146 --> 01:15:55,116 AND I'M GUESSING YOUR MOTHER DISCOVERED THIS YEARS AGO. 925 01:15:55,116 --> 01:15:56,984 AND IF SHE FOUND THE SCROLLS, THEN-- 926 01:15:56,984 --> 01:15:59,353 SHE WOULD HAVE HAD ALL THE LEVERAGE OF THE CENTRE. 927 01:15:59,353 --> 01:16:01,255 OR THE LEVERAGE TO END IT. 928 01:16:07,228 --> 01:16:09,163 ARE WE GETTING WARM? 929 01:16:10,664 --> 01:16:14,068 PARKER! WHY IS SHE ON BOARD? 930 01:16:14,068 --> 01:16:17,771 UH, SHE JUST WANTED TO SURPRISE HER FATHER, THAT'S ALL. 931 01:16:18,772 --> 01:16:21,308 TAKE THESE THREE FORWARD. 932 01:16:30,584 --> 01:16:32,820 LOCK UP THE SCROLLS. 933 01:16:42,696 --> 01:16:46,767 LET ME ASK YOU A QUESTION. DID YOU EVER LOVE HER? 934 01:16:49,537 --> 01:16:52,640 BECAUSE WHAT LITTLE AFFECTION YOU'VE GIVEN HER OVER THE YEARS, SHE CRAVES. 935 01:16:53,874 --> 01:16:56,810 I LOVE MY DAUGHTER MORE THAN ANYTHING ON THIS PLANET. 936 01:16:58,179 --> 01:16:59,980 MORE THAN THOSE SCROLLS? 937 01:16:59,980 --> 01:17:02,616 I FIND IT PRETTY PATHETIC THAT YOU FASHIONED... 938 01:17:02,616 --> 01:17:05,386 YOUR ENTIRE LIFE AROUND THEM, AND YOU'VE NEVER EVEN SEEN THEM. 939 01:17:05,386 --> 01:17:07,254 I LEARNED THEIR SECRETS FROM MY GRANDFATHER. 940 01:17:07,755 --> 01:17:10,157 THERE WAS NOTHING PATHETIC ABOUT HIS LEGACY, YOUNG MAN. 941 01:17:10,157 --> 01:17:13,827 OH, YES. BURNING HIS FAMILY TO DEATH. 942 01:17:13,827 --> 01:17:17,198 THAT'S A HELL OF A LEGACY TO PASS ON TO YOUR, UH-- 943 01:17:17,198 --> 01:17:20,067 OH, WHAT SHOULD WE CALL HER NOW? UH, DAUGHTER? 944 01:17:20,067 --> 01:17:24,371 COME ON. HUNDREDS OF PEOPLE OVER THOUSANDS OF YEARS... 945 01:17:24,371 --> 01:17:27,441 HAVE SACRIFICED THEIR LIVES TO GET A GLIMPSE OF THOSE SCROLLS. 946 01:17:27,441 --> 01:17:31,445 AND NOW YOU HOLD THEM IN YOUR HANDS. 947 01:17:31,445 --> 01:17:33,447 AREN'T YOU A LITTLE CURIOUS? 948 01:17:33,447 --> 01:17:36,850 ALL THAT... POWER? 949 01:18:25,599 --> 01:18:27,601 MAKE SURE THEY'RE CLEAN. 950 01:18:28,969 --> 01:18:31,272 NOT TODAY, COWBOY. 951 01:18:34,408 --> 01:18:38,145 MIND IF I GET A BLANKET? THEY KEEP THESE DAMN JETS COLD AS MORGUES. 952 01:18:38,145 --> 01:18:41,482 GET YOUR DAMN BLANKET AND SIT DOWN. 953 01:18:51,959 --> 01:18:53,460 SO JAROD WAS RIGHT. 954 01:18:53,460 --> 01:18:56,397 TELL MR. PARKER WE'RE ON AND TO GET READY. 955 01:18:56,397 --> 01:18:58,799 - READY FOR WHAT? - JUST DO IT. 956 01:19:07,941 --> 01:19:09,943 ADJUST AIR SPEED TO 200 KNOTS, 957 01:19:09,943 --> 01:19:11,945 THEN DESCEND TO 13,000. 958 01:19:11,945 --> 01:19:14,648 AND PUT IT ON AUTOPILOT. 959 01:19:14,648 --> 01:19:16,650 NOW! 960 01:19:35,803 --> 01:19:37,304 GOING SOMEPLACE? 961 01:19:39,306 --> 01:19:42,943 JUST TAKING A JOURNEY SOMEBODY SHOULD HAVE TAKEN A LONG TIME AGO. 962 01:19:45,746 --> 01:19:47,748 ALONE. 963 01:19:49,683 --> 01:19:51,618 WHAT THE HELL ARE YOU DOING? 964 01:19:53,987 --> 01:19:55,489 I'VE READ THE SCROLLS, ANGEL, 965 01:19:55,489 --> 01:19:58,892 AND I'M RETURNING 'EM TO THE SEA. 966 01:19:58,892 --> 01:20:02,262 IT'S THE ONLY WAY TO STOP THE PARKER MADNESS-- 967 01:20:02,262 --> 01:20:04,331 THE MADNESS THAT STARTED THE CENTRE. 968 01:20:04,331 --> 01:20:07,334 - WHAT? - THE SCROLLS ARE REAL, 969 01:20:07,334 --> 01:20:11,205 AND SO IS THE PAIN THEY INFLICTED, ESPECIALLY ON YOUR MOTHER. 970 01:20:11,205 --> 01:20:13,640 I KNOW THAT NOW. I KNOW THAT. 971 01:20:16,009 --> 01:20:18,712 IT'S TIME TO FULFILL HER WISH... 972 01:20:18,712 --> 01:20:21,548 AND SEND THIS EVIL BACK WHERE IT BELONGS. 973 01:20:21,548 --> 01:20:25,052 IT'S CONTROLLED OUR FAMILY FOR TOO LONG. 974 01:20:25,052 --> 01:20:28,055 HANG ONTO SOMETHING, ANGEL. YOU CAN'T COME WITH ME THIS TIME. 975 01:20:30,557 --> 01:20:33,761 WE ARE AT 14,000 FEET AND DESCENDING. 976 01:20:33,761 --> 01:20:36,430 AUTOPILOT HAS BEEN SET TO THE COORDINATES YOU REQUESTED. 977 01:20:36,930 --> 01:20:38,866 THEN YOUR SERVICES WILL NO LONGER BE NEEDED. 978 01:20:41,168 --> 01:20:44,171 DADDY, ARE YOU JUST GONNA LEAVE ME HERE TO DIE? 979 01:20:44,171 --> 01:20:46,440 NO, NO, YOU'LL BE ALL RIGHT. 980 01:20:47,708 --> 01:20:50,043 THAT'S NOT HOW THEY SAY IT ENDS. 981 01:20:50,043 --> 01:20:53,947 WAIT! DADDY, I HAVE TO KNOW. 982 01:20:55,115 --> 01:20:57,951 ARE YOU MY REAL FATHER? 983 01:21:02,790 --> 01:21:05,926 I LOVE YOU AS MY DAUGHTER. THAT'S ALL THAT COUNTS. 984 01:21:09,129 --> 01:21:12,566 DON'T BE SAD. THE NEW PARKER LEGACY BEGINS WITH YOU. 985 01:21:15,569 --> 01:21:17,504 - GOD BE WITH YOU, ANGEL. - WAIT! 986 01:21:22,108 --> 01:21:24,410 - WHAT THE HELL'S GOIN' ON? -[ Alarm Wailing ] 987 01:21:24,410 --> 01:21:29,082 WE'VE LOST ELECTRONICS. THE GLIDE PATH WILL DISINTEGRATE. GET TO THE CARGO HOLD. 988 01:21:32,952 --> 01:21:36,322 - WHAT HAPPENED? - DADDY JUMPED WITH THE SCROLLS, AND THERE'S NO PARACHUTES! 989 01:21:36,322 --> 01:21:40,093 FLIGHT CREW'S DEAD, AND THE CONTROLS ARE DAMAGED! 990 01:21:40,093 --> 01:21:43,930 - WHAT THE HELL DO WE DO NOW? - WELL, I WOULD SUGGEST THAT YOU UN-CUFF THE ONE PERSON... 991 01:21:43,930 --> 01:21:46,466 WHO CAN FLY THIS THING AND SAVE YOUR LIFE! 992 01:21:48,201 --> 01:21:50,103 DO IT! 993 01:21:58,344 --> 01:22:01,247 I HAVE TO GET TO THE COCKPIT! 994 01:22:01,247 --> 01:22:03,783 MISS PARKER, COME WITH ME! 995 01:22:11,124 --> 01:22:14,127 [ Alarm Continues ] 996 01:22:16,129 --> 01:22:20,266 AUTO-CONTROL IS DOWN. WE'RE GONNA HAVE TO FLY THE REST OF THE WAY MANUALLY. 997 01:22:20,266 --> 01:22:23,536 ELECTRONICS ARE GONE, WHICH MEANS NO GAUGES AND NO LANDING GEAR. 998 01:22:23,536 --> 01:22:27,807 THESE ARE THE LATEST COORDINATES THE FLIGHT COMPUTER PRINTED OUT. 999 01:22:27,807 --> 01:22:30,309 USE THOSE NUMBERS TO FIND A MATCHING LANDING AREA. 1000 01:22:30,810 --> 01:22:33,646 GOT ONE. MAGUA AIRPORT, MOROCCO. 1001 01:22:33,646 --> 01:22:36,482 CAN YOU MAKE THAT? I BETTER. 1002 01:22:36,482 --> 01:22:39,519 HERE'S THE TOOL KIT. GET TO THE REAR OF THE PLANE. I'M GONNA SHOUT INSTRUCTIONS. 1003 01:22:39,519 --> 01:22:43,856 UNLESS WE FIX THESE BLOWN-OUT ELECTRONICS, WE'RE GOING DOWN. 1004 01:22:50,496 --> 01:22:54,400 LYLE, OF THE THREE PANELS, THE MIDDLE ONE IS BURNED OUT. 1005 01:22:54,400 --> 01:22:57,270 WE NEED TO CIRCUMVENT IT AND REESTABLISH THE CIRCUIT... 1006 01:22:57,270 --> 01:22:59,706 BY CONNECTING THE WIRING OF THE OTHER TWO. 1007 01:22:59,706 --> 01:23:04,677 YELLOW TO YELLOW, GREEN TO GREEN, BLUE TO BLUE! 1008 01:23:07,046 --> 01:23:12,985 YOU'LL BLOW UP THE WHOLE SYSTEM IF EVEN ONE WIRE IS CROSSED! 1009 01:23:17,423 --> 01:23:19,425 WE'RE GOING DOWN FAST! 1010 01:23:22,228 --> 01:23:25,031 - COME ON! COME ON! - OKAY! OKAY! 1011 01:23:25,031 --> 01:23:27,300 JUST ONE CONNECTION TO GO! 1012 01:23:28,601 --> 01:23:30,236 - DAMN! - WHAT? 1013 01:23:30,236 --> 01:23:33,539 WE'VE GOT ABOUT 30 SECONDS BEFORE IT'S TOO LATE! 1014 01:23:33,539 --> 01:23:38,578 JAROD, HE'S GOT THREE WIRES LEFT! ONLY ONE OF THEM IS BLUE! WHAT SHOULD HE DO? 1015 01:23:38,578 --> 01:23:42,782 -LYLE, YOU HAVE TO CHOOSE CAREFULLY! - IN OTHER WORDS, GUESS! 1016 01:23:42,782 --> 01:23:45,284 AND PRAY THAT HE'S RIGHT. 1017 01:23:46,619 --> 01:23:51,190 LYLE, PICK ONE, DAMN IT! PICK ONE! 1018 01:24:05,338 --> 01:24:08,374 [ Consoles Beeping ] 1019 01:24:08,374 --> 01:24:10,176 YES! 1020 01:24:10,176 --> 01:24:12,311 - NOT SO FAST. -[ Beeping ] 1021 01:24:12,311 --> 01:24:15,982 -WHAT? -THE GOOD NEWS IS WE'RE GOING TO BE LANDING IN ABOUT 10 SECONDS. 1022 01:24:15,982 --> 01:24:18,684 THE BAD NEWS IS THE LANDING GEAR IS NOT DEPLOYING PROPERLY. 1023 01:24:18,684 --> 01:24:21,454 SO HOLD ON! WE'RE GOING TO CRASH! 1024 01:24:25,091 --> 01:24:26,826 [ Beeping ] 1025 01:24:39,172 --> 01:24:41,207 [ Grunts ] 1026 01:24:56,989 --> 01:24:58,825 JAROD! 1027 01:25:02,328 --> 01:25:04,297 DAMN IT! 1028 01:25:04,297 --> 01:25:07,099 COME ON! THIS THING'S GONNA BLOW! 1029 01:25:23,082 --> 01:25:26,385 [ Sydney ] THIS MUST HAVE BEEN AN EMOTIONALLY TRYING TIME FOR YOU. 1030 01:25:26,385 --> 01:25:28,120 ARE YOU ALL RIGHT, MISS PARKER? 1031 01:25:28,120 --> 01:25:31,691 I DON'T KNOW, BROOTS. BUT THANKS. 1032 01:25:32,491 --> 01:25:34,894 I JUST WANT EVERYTHING TO GET-- 1033 01:25:34,894 --> 01:25:37,396 YOU KNOW, I ALMOST SAID I WANT EVERYTHING TO GET BACK TO NORMAL. 1034 01:25:37,396 --> 01:25:40,199 -[ Broots Chuckles ] - NO SUCH THING AROUND HERE. 1035 01:25:40,199 --> 01:25:43,102 WELL, NO. PARTICULARLY NOW THAT RAINES IS IN CHARGE. 1036 01:25:43,102 --> 01:25:45,171 RAINES? 1037 01:25:46,539 --> 01:25:48,841 WHAT, HADN'T YOU HEARD? 1038 01:25:50,743 --> 01:25:53,779 YOU LOOK SURPRISED TO SEE ME. 1039 01:25:57,683 --> 01:26:00,186 WELL, AFTER THE WAY THE AFRICANS WERE BEHAVING... 1040 01:26:00,186 --> 01:26:03,222 ON THE TARMAC IN MOROCCO, I FIGURED A BEHEADING WAS IN ORDER. 1041 01:26:03,222 --> 01:26:06,292 AFTER THEY UNDERSTOOD THAT JAROD BROKE FREE ON THE JET... 1042 01:26:06,292 --> 01:26:10,596 AND, SADLY, KILLED ADAMA AND HIS GUARDS, THEN PARACHUTED AWAY WITH THE SCROLLS, 1043 01:26:10,596 --> 01:26:14,700 THEY WERE FORGIVING, AND ESPECIALLY PROUD OF THE WAY MR. PARKER... 1044 01:26:14,700 --> 01:26:18,104 GAVE HIS LIFE TRYING TO SAVE WHAT WAS THEIRS. 1045 01:26:20,406 --> 01:26:24,110 - QUITE A BEDTIME STORY. - IT KEPT US ALIVE. 1046 01:26:25,278 --> 01:26:26,979 ALL OF US. 1047 01:26:26,979 --> 01:26:29,882 THEY NEED ME, NOW MORE THAN EVER. 1048 01:26:29,882 --> 01:26:32,752 AS WELL AS MY CHILDREN. 1049 01:26:32,752 --> 01:26:35,154 JAROD HAS TO BE RETURNED. 1050 01:26:36,589 --> 01:26:40,026 SO, IT IS BACK TO NORMAL. 1051 01:26:40,026 --> 01:26:44,497 WITH A TWIST. WHICHEVER OF YOU TWO BRINGS JAROD BACK... 1052 01:26:44,497 --> 01:26:47,400 WILL ALSO HAVE A LONG-TERM FUTURE HERE... 1053 01:26:47,400 --> 01:26:50,403 AND A FUTURE IN THE PARKER LEGACY. 1054 01:26:50,403 --> 01:26:52,772 AND WHOEVER FAILS? 1055 01:26:52,772 --> 01:26:56,575 BE CAREFUL WHEN YOU JOKE ABOUT BEHEADINGS. 1056 01:26:58,844 --> 01:27:02,648 YOUR BROTHER HAS SHOWN ME A SIGN OF LOYALTY. 1057 01:27:10,156 --> 01:27:13,826 I'LL BE AWAITING A SIGN FROM YOU. 1058 01:27:13,826 --> 01:27:17,129 I'LL HAVE TO GET BACK TO YOU ON THAT. 1059 01:27:24,770 --> 01:27:26,772 [ Door Closes ] 1060 01:27:28,107 --> 01:27:30,676 [ Phone Ringing ] 1061 01:27:32,678 --> 01:27:34,847 - WHAT? - SO WHAT DO YOU THINK THEY SAID? 1062 01:27:36,349 --> 01:27:38,718 THE SCROLLS? 1063 01:27:38,718 --> 01:27:41,020 I WAS HOPING YOU HAD SOME ANSWERS. 1064 01:27:41,020 --> 01:27:43,222 INSIGHTS INTO THE SO-CALLED PROPHECIES. 1065 01:27:43,222 --> 01:27:47,660 THOSE ANSWERS ARE SOMEWHERE IN THE OCEAN ALONG WITH MY F-- 1066 01:27:50,096 --> 01:27:52,999 DO YOU THINK THAT... 1067 01:27:52,999 --> 01:27:57,003 THERE'S ANY CHANCE THAT HE BAILED FOR THE RIGHT REASONS, JAROD? OR-- 1068 01:27:58,371 --> 01:28:02,641 OR WAS HIS GERONIMO JUST ANOTHER ONE OF HIS LIES? 1069 01:28:02,641 --> 01:28:07,880 I DON'T KNOW. MAYBE IT'S TIME YOU GAVE YOURSELF THAT GIFT HE NEVER GAVE YOU-- 1070 01:28:08,381 --> 01:28:10,149 THE TRUTH. 1071 01:28:10,149 --> 01:28:12,818 I HOPE YOU FIND YOUR MOTHER. 1072 01:28:17,757 --> 01:28:20,893 AND WHAT ABOUT... US? 1073 01:28:20,893 --> 01:28:23,896 YOU RUN. I CHASE. 1074 01:28:23,896 --> 01:28:25,898 THAT CHOICE WAS MADE FOR US A LONG TIME AGO. 1075 01:28:25,898 --> 01:28:28,734 MAYBE THAT IS THE PARKER CURSE. 1076 01:28:28,734 --> 01:28:30,503 YEAH. 1077 01:28:32,004 --> 01:28:34,507 HELL OF A LIFE WE HAVE HERE, JAROD. 1078 01:28:34,507 --> 01:28:39,111 ONLY THIS TIME, THE FIRST ONE TO FIND THE ANSWERS... LIVES. 1079 01:28:39,111 --> 01:28:43,449 JAROD, THE PROPHECIES, IF THEY WERE REAL, 1080 01:28:43,449 --> 01:28:47,420 MAYBE... WE COULD HAVE... 1081 01:28:47,420 --> 01:28:49,688 FOUND OUT WHAT OUR FUTURE WOULD HOLD. 1082 01:28:51,090 --> 01:28:53,592 IF THEY'RE REAL. 1083 01:28:53,592 --> 01:28:55,394 [ Beeps ] 1084 01:29:28,727 --> 01:29:33,232 [ Mr. Parker's Voice ] THE CENTRE SHALL RISE. 1085 01:29:36,235 --> 01:29:39,738 THE CHOSEN WILL BE FOUND, 1086 01:29:43,242 --> 01:29:48,747 A BOY NAMED... JAROD. 1087 01:30:09,101 --> 01:30:12,605 dddd [ Woman Vocalizing ] 1088 01:30:13,105 --> 01:30:16,108 [ Man ] dd GENIUS dd 1089 01:30:16,609 --> 01:30:18,611 dd OR MADNESS dd 1090 01:30:19,111 --> 01:30:21,113 dddd [ Woman Vocalizing ] 1091 01:30:21,113 --> 01:30:23,115 dd ESCAPE dd 1092 01:30:25,117 --> 01:30:27,620 [ Man ] dd ESCAPE, ESCAPE ESCAPE, ESCAPE dd 1093 01:30:37,129 --> 01:30:39,632 [ Woman ] dd ESCAPE dd 1094 01:30:41,634 --> 01:30:44,637 [ Man ] dd ESCAPE, ESCAPE ESCAPE, ESCAPE dd 1095 01:30:46,138 --> 01:30:49,642 dddd [ Woman Vocalizing ] 1096 01:31:02,154 --> 01:31:03,656 dd ESCAPE dddd